1 00:00:02,636 --> 00:00:03,571 PREVIOUSLY ON LOVE and HIP-HOP: 2 00:00:03,571 --> 00:00:04,372 ATLANTA... 3 00:00:04,372 --> 00:00:05,339 WE NEED TO KNOW WHAT'S UP 4 00:00:05,339 --> 00:00:06,474 WITH THE CONTRACT. 5 00:00:06,474 --> 00:00:07,941 I DON'T HAVE THE CONTRACT. 6 00:00:07,941 --> 00:00:08,842 OH, GOSH. 7 00:00:08,842 --> 00:00:10,644 I THINK I NEED TO JUST MOVE. 8 00:00:10,644 --> 00:00:11,512 YOU JUST WANT TO TAKE MY 9 00:00:11,512 --> 00:00:12,480 DAUGHTER AND LEAVE? 10 00:00:12,480 --> 00:00:14,282 I CAN'T LIVE WITH YOU. 11 00:00:14,282 --> 00:00:15,316 YOU'LL BE BACK. 12 00:00:15,316 --> 00:00:15,983 RIGHT. 13 00:00:15,983 --> 00:00:17,017 YOU REALLY THINK I'M FEELIN' 14 00:00:17,017 --> 00:00:18,152 THAT BITCH? 15 00:00:18,152 --> 00:00:19,487 MA, DON'T CALL HER NO BITCH. 16 00:00:19,487 --> 00:00:20,988 I MEAN, THERE'S MANY MOMENTS. 17 00:00:20,988 --> 00:00:21,789 SHE IS A BITCH. 18 00:00:21,789 --> 00:00:24,024 LOOK AT YOUR FINE ASS. 19 00:00:24,024 --> 00:00:24,692 [laughs] 20 00:00:24,692 --> 00:00:25,559 IF YOU LISTEN TO ME, 21 00:00:25,559 --> 00:00:26,427 YOU'LL GET HIM BACK. 22 00:00:26,427 --> 00:00:27,195 WE GONNA BE IN THE STUDIO 23 00:00:27,195 --> 00:00:27,861 TOGETHER. 24 00:00:27,861 --> 00:00:28,562 WHY DON'T YOU JUST STOP BY 25 00:00:28,562 --> 00:00:29,397 AND SEE WHAT'S UP? 26 00:00:29,397 --> 00:00:31,465 * PUT THEM BALLS ON 27 00:00:31,465 --> 00:00:33,434 ♪ PUT THEM BALLS ON 28 00:00:33,434 --> 00:00:34,868 YOU HURT ME, AND I KNOW-- 29 00:00:34,868 --> 00:00:35,836 IT'S, LIKE, OUT OF EVERYBODY, 30 00:00:35,836 --> 00:00:36,737 I JUST NEVER THOUGHT IT WOULD 31 00:00:36,737 --> 00:00:37,605 COME FROM YOU. 32 00:00:37,605 --> 00:00:38,672 I WANTED TO BE WITH ERICA. 33 00:00:38,672 --> 00:00:40,741 I'M GONNA BE OKAY. 34 00:00:40,741 --> 00:00:42,110 I AM A WOMAN THAT LIVED 35 00:00:42,110 --> 00:00:44,478 THROUGH THE VIOLENCE AGAINST ME. 36 00:00:44,478 --> 00:00:45,779 THE GUY SHE'S REFERRING TO 37 00:00:45,779 --> 00:00:47,581 IS MARRIED TO ONE OF MY CLOSE, 38 00:00:47,581 --> 00:00:48,582 CLOSE FRIENDS. 39 00:00:48,582 --> 00:00:50,851 I JUST FEEL LIKE MAYBE THAT'S 40 00:00:50,851 --> 00:00:51,619 NOT SOMETHING THAT HE DID TO 41 00:00:51,619 --> 00:00:52,286 YOU. 42 00:00:52,286 --> 00:00:53,621 NONE OF Y'ALL WAS THERE, 43 00:00:53,621 --> 00:00:54,688 NONE OF Y'ALL. 44 00:00:54,688 --> 00:00:56,590 THAT MAN BEAT MY ASS, 45 00:00:56,590 --> 00:00:58,926 AND I HAD TO DEAL WITH THAT. 46 00:01:01,295 --> 00:01:02,830 * THIS IS THE LIFE 47 00:01:02,830 --> 00:01:03,797 ♪ THIS IS THE LIFE 48 00:01:03,797 --> 00:01:04,465 * YEAH 49 00:01:04,465 --> 00:01:05,433 * THIS IS THE LIFE 50 00:01:05,433 --> 00:01:06,134 ♪ THIS IS THE LIFE 51 00:01:06,134 --> 00:01:06,767 * 'SUP ♪ 52 00:01:06,767 --> 00:01:07,535 * THIS IS THE LIFE 53 00:01:07,535 --> 00:01:08,369 ♪ THIS IS THE LIFE 54 00:01:08,369 --> 00:01:09,137 * HUH 55 00:01:09,137 --> 00:01:09,970 * THIS IS THE LIFE 56 00:01:09,970 --> 00:01:13,241 ♪ THIS IS THE LIFE 57 00:01:13,241 --> 00:01:13,907 * HUH 58 00:01:13,907 --> 00:01:14,808 ♪ THERE AIN'T NOTHING LIKE ♪ 59 00:01:14,808 --> 00:01:15,843 ♪ HIP-HOP MUSIC 60 00:01:15,843 --> 00:01:17,911 ♪ MUSIC 61 00:01:17,911 --> 00:01:19,247 * THIS IS THE LIFE 62 00:01:19,247 --> 00:01:23,451 ♪ THIS IS THE LIFE 63 00:01:29,890 --> 00:01:30,691 * I TELL HIM BRING IT 64 00:01:30,691 --> 00:01:31,392 ♪ BRING IT, BRING IT 65 00:01:31,392 --> 00:01:32,160 ♪ IF YOU REALLY, REALLY 66 00:01:32,160 --> 00:01:32,793 ♪ WANT IT 67 00:01:32,793 --> 00:01:33,594 ♪ THEY BE MAD THAT I GET IT 68 00:01:33,594 --> 00:01:34,495 ♪ AND THEY BE MAD THAT I 69 00:01:34,495 --> 00:01:35,229 ♪ FLAUNT IT 70 00:01:35,229 --> 00:01:37,365 IT'S BEEN A CRAZY YEAR FOR 71 00:01:37,365 --> 00:01:38,366 KARLIE REDD. 72 00:01:38,366 --> 00:01:39,066 I'VE BEEN IN THE STUDIO 73 00:01:39,066 --> 00:01:39,867 GRINDING. 74 00:01:39,867 --> 00:01:41,569 I'M WALKING ON THE RUNWAY. 75 00:01:41,569 --> 00:01:42,870 I'M IN MAGAZINES. 76 00:01:42,870 --> 00:01:44,172 OH, MY GOSH. 77 00:01:44,172 --> 00:01:45,339 KARLIE REDD, WHAT? 78 00:01:45,339 --> 00:01:46,174 ♪ ASK ABOUT MY DAUGHTER 79 00:01:46,174 --> 00:01:47,241 ♪ BUT, BITCH, YOU MY SON 80 00:01:47,241 --> 00:01:48,342 ♪ HAD THE NERVE TO TALK 81 00:01:48,342 --> 00:01:49,877 ♪ ABOUT ME AND L.A.'S SON ♪ 82 00:01:49,877 --> 00:01:50,611 ♪ BITCH, BRING IT 83 00:01:50,611 --> 00:01:51,545 ♪ IF YOU LIKE YOUR BOD 84 00:01:51,545 --> 00:01:53,381 ♪ THEN BRING IT 85 00:01:53,381 --> 00:01:54,382 [rapping indistinctly] 86 00:01:54,382 --> 00:01:59,487 ♪ 87 00:01:59,487 --> 00:02:00,521 UH-OH. 88 00:02:00,521 --> 00:02:01,722 WHAT YOU DOIN' IN THAT BOOTH, 89 00:02:01,722 --> 00:02:02,423 GIRL? 90 00:02:02,423 --> 00:02:03,224 AM I BUGGIN' OUT? 91 00:02:03,224 --> 00:02:03,891 WHAT? 92 00:02:03,891 --> 00:02:05,092 HI, BOO-BOO. 93 00:02:05,092 --> 00:02:05,759 HOW ARE YOU? 94 00:02:05,759 --> 00:02:07,094 HI. TRACI. 95 00:02:07,094 --> 00:02:07,828 TRACI, NICE TO MEET YOU. 96 00:02:07,828 --> 00:02:09,430 TRACI'S A D.J. 97 00:02:09,430 --> 00:02:10,831 REALLY? 98 00:02:10,831 --> 00:02:11,832 OH, [bleep]. 99 00:02:11,832 --> 00:02:12,533 GIRL... 100 00:02:12,533 --> 00:02:13,367 I HAVEN'T SEEN RASHEEDA IN A 101 00:02:13,367 --> 00:02:14,735 MINUTE, SO I CALLED HER DOWN SO 102 00:02:14,735 --> 00:02:16,003 SHE COULD HEAR THIS DISS RECORD 103 00:02:16,003 --> 00:02:17,070 AGAINST K. MICHELLE. 104 00:02:17,070 --> 00:02:18,306 SINCE K. MICHELLE BE TRYIN' TO 105 00:02:18,306 --> 00:02:19,407 COME AT BOTH OF US, I WANT HER 106 00:02:19,407 --> 00:02:20,508 TO HEAR WHAT I GOT TO SAY ABOUT 107 00:02:20,508 --> 00:02:21,575 THE HORSE. 108 00:02:21,575 --> 00:02:23,411 I'M TIRED OF THIS BITCH K. 109 00:02:23,411 --> 00:02:25,779 MICHELLE, LITERALLY, BLOGS, 110 00:02:25,779 --> 00:02:26,747 INTERVIEWS, TWITTER, EVEN A 111 00:02:26,747 --> 00:02:27,448 SONG. 112 00:02:27,448 --> 00:02:28,282 LIKE-- 113 00:02:28,282 --> 00:02:29,116 SHE DID A SONG ABOUT HER TO 114 00:02:29,116 --> 00:02:29,817 YOU? 115 00:02:29,817 --> 00:02:30,518 YES. 116 00:02:30,518 --> 00:02:31,685 LIKE, AN RandB DISS SONG? 117 00:02:31,685 --> 00:02:32,653 I HAVE NEVER HEARD NO [bleep] 118 00:02:32,653 --> 00:02:33,387 LIKE THAT IN MY LIFE. 119 00:02:33,387 --> 00:02:34,555 YOU WASTING SONGS ON ME. 120 00:02:34,555 --> 00:02:35,323 OKAY, I'M GONNA WASTE ONE ON 121 00:02:35,323 --> 00:02:36,023 YOU. 122 00:02:36,023 --> 00:02:36,690 [laughter] 123 00:02:36,690 --> 00:02:38,226 WOW. 124 00:02:38,226 --> 00:02:38,926 PURE COMEDY, I WILL SAY. 125 00:02:38,926 --> 00:02:39,660 YOU LIKE IT? 126 00:02:39,660 --> 00:02:40,328 YEAH. 127 00:02:40,328 --> 00:02:41,229 COME ON, GET ON A VERSE. 128 00:02:41,229 --> 00:02:42,863 GIRL... 129 00:02:42,863 --> 00:02:47,000 AHH-AHH, BOOM, BOOM, BOOM, 130 00:02:47,000 --> 00:02:47,768 BOOM, BOOM. 131 00:02:47,768 --> 00:02:49,337 I AM SO NOT ABOUT TO WASTE MY 132 00:02:49,337 --> 00:02:52,340 BEAUTIFUL VOICE ON NO GODDAMN 133 00:02:52,340 --> 00:02:53,006 ZOO ANIMALS. 134 00:02:53,006 --> 00:02:53,707 I CAN'T DO IT. 135 00:02:53,707 --> 00:02:54,542 ZOO ANIMALS. 136 00:02:54,542 --> 00:02:55,843 [laughter] 137 00:02:55,843 --> 00:02:56,510 GET ON IT. 138 00:02:56,510 --> 00:02:58,078 I'LL PLAY IF YOU GET ON IT. 139 00:02:58,078 --> 00:02:59,313 OH, YOU TRYIN' TO REV IT UP 140 00:02:59,313 --> 00:02:59,980 NOW? 141 00:02:59,980 --> 00:03:01,349 COME ON, GET ON IT. 142 00:03:01,349 --> 00:03:02,650 SHE WAS LIKE, "I'M BACKING 143 00:03:02,650 --> 00:03:03,317 IT, YO." 144 00:03:03,317 --> 00:03:05,253 I MEAN-- 145 00:03:05,253 --> 00:03:05,953 YOU KNOW WHAT? 146 00:03:05,953 --> 00:03:06,720 THINK ABOUT IT. 147 00:03:06,720 --> 00:03:07,521 TO BE HONEST WITH YOU, I'LL 148 00:03:07,521 --> 00:03:08,289 THINK ABOUT IT, BECAUSE FOR 149 00:03:08,289 --> 00:03:10,123 REAL, FOR REAL, LIKE, I'M SO 150 00:03:10,123 --> 00:03:12,092 OVER THAT WHOLE, JUST, 151 00:03:12,092 --> 00:03:13,093 SITUATION. 152 00:03:13,093 --> 00:03:14,495 LOOK, I'M DONE WITH IT. 153 00:03:14,495 --> 00:03:15,829 K. MICHELLE FEELS LIKE SHE NEEDS 154 00:03:15,829 --> 00:03:17,431 TO CONSTANTLY TALK ABOUT ME ON 155 00:03:17,431 --> 00:03:19,066 THE BLOGS ALL THE TIME, 156 00:03:19,066 --> 00:03:19,967 BUT I'VE BEEN THE BIGGER PERSON 157 00:03:19,967 --> 00:03:21,269 AND HAVE BEEN IGNORING HER 158 00:03:21,269 --> 00:03:22,069 STUPID [bleep]. 159 00:03:22,069 --> 00:03:23,003 WHEN IT COMES TO DOING A DISS 160 00:03:23,003 --> 00:03:24,538 SONG, I AIN'T EVEN SURE I WANT 161 00:03:24,538 --> 00:03:25,739 TO GIVE HER THE TIME OF DAY. 162 00:03:25,739 --> 00:03:26,607 WHEN'S THE LAST TIME YOU SEEN 163 00:03:26,607 --> 00:03:27,308 HER? 164 00:03:27,308 --> 00:03:28,442 OH, I WAS DRIVING DOWN 165 00:03:28,442 --> 00:03:30,478 BOULEVARD PAST THE ATLANTA ZOO, 166 00:03:30,478 --> 00:03:31,779 AND SHE WAS RIGHT OUTSIDE THAT 167 00:03:31,779 --> 00:03:33,514 BITCH EATING SOME GRASS. 168 00:03:33,514 --> 00:03:34,682 I'M JUST... 169 00:03:34,682 --> 00:03:36,584 [laughter] 170 00:03:36,584 --> 00:03:37,618 I'M JUST GONNA STAND AND JUST 171 00:03:37,618 --> 00:03:39,086 LOOK AT THE WALL, BECAUSE I 172 00:03:39,086 --> 00:03:39,787 CAN'T... 173 00:03:39,787 --> 00:03:42,656 BUT ANYWAY, NO, I HAVE NOT 174 00:03:42,656 --> 00:03:43,424 SEEN HER, BUT-- 175 00:03:43,424 --> 00:03:45,025 YOU AIN'T SEEN 5150? 176 00:03:45,025 --> 00:03:45,693 WHO NOW? 177 00:03:45,693 --> 00:03:47,027 5150 IS THE CODE FOR THE 178 00:03:47,027 --> 00:03:48,662 POLICE, LIKE, SOMETHING CRAZY IS 179 00:03:48,662 --> 00:03:50,898 IN THE BUILDING, LIKE, PSYCHO. 180 00:03:50,898 --> 00:03:51,565 YES. 181 00:03:51,565 --> 00:03:53,301 WELL, I MIGHT SEE 5150 182 00:03:53,301 --> 00:03:55,403 AT MIMI'S HOUSEWARMING THAT 183 00:03:55,403 --> 00:03:56,337 SHE'S GETTING READY TO HAVE. 184 00:03:56,337 --> 00:03:57,305 MORE THAN LIKELY, SHE'LL BE 185 00:03:57,305 --> 00:03:57,938 THERE, SO... 186 00:03:57,938 --> 00:03:58,706 DOES SHE GET ALONG WITH 187 00:03:58,706 --> 00:04:00,741 ANYBODY? 188 00:04:00,741 --> 00:04:02,075 WE ACTUALLY GOT ALONG AT 189 00:04:02,075 --> 00:04:03,777 FIRST, BUT IT KIND OF TWISTED A 190 00:04:03,777 --> 00:04:05,679 LITTLE BIT, AND THAT'S A WHOLE 191 00:04:05,679 --> 00:04:06,480 NOTHER SITUATION. 192 00:04:06,480 --> 00:04:07,147 OKAY, 5150. 193 00:04:07,147 --> 00:04:07,948 I DON'T WANT TO TALK ABOUT 194 00:04:07,948 --> 00:04:08,682 THAT NO MORE. 195 00:04:08,682 --> 00:04:09,450 BUT, RASHEEDA, FOR REAL, 196 00:04:09,450 --> 00:04:10,518 THOUGH, I WANT YOU TO THINK 197 00:04:10,518 --> 00:04:11,319 ABOUT GETTING ON THIS SONG. 198 00:04:11,319 --> 00:04:12,920 I'LL LET YOU KNOW. 199 00:04:12,920 --> 00:04:13,954 IF YOU GONNA GET ON IT? 200 00:04:13,954 --> 00:04:16,223 [laughter] 201 00:04:16,223 --> 00:04:17,691 I CAN'T DEAL. 202 00:04:17,691 --> 00:04:18,692 [upbeat funky music] 203 00:04:18,692 --> 00:04:25,333 ♪ 204 00:04:25,333 --> 00:04:25,966 I DON'T KNOW, MAN. 205 00:04:25,966 --> 00:04:27,234 LAST NIGHT WAS STRAIGHT STUPID. 206 00:04:27,234 --> 00:04:28,702 YOU KNOW, I'M TRYING TO BE IN MY 207 00:04:28,702 --> 00:04:31,605 MIX IN THE STUDIO, AND MA DUKES 208 00:04:31,605 --> 00:04:32,740 BRINGS SHAY THROUGH. 209 00:04:32,740 --> 00:04:34,342 YO, YO, YO. 210 00:04:34,342 --> 00:04:35,409 WHAT'S UP? RIGHT ON TIME. 211 00:04:35,409 --> 00:04:36,377 I KNOW YOU READY TO EAT. 212 00:04:36,377 --> 00:04:37,144 I'M WITH ERICA. 213 00:04:37,144 --> 00:04:37,845 YOU KNOW WHAT I'M SAYING? 214 00:04:37,845 --> 00:04:38,912 THAT'S WHAT I'M TRYING TO DO. 215 00:04:38,912 --> 00:04:40,348 MAMA, SHAY, EVERYBODY'S 216 00:04:40,348 --> 00:04:41,014 JUST GONNA HAVE 217 00:04:41,014 --> 00:04:42,716 UNDER-STIZZ-NAY-EE THAT I'M WITH 218 00:04:42,716 --> 00:04:44,017 MY SEXY LADY, MY LOVELY. 219 00:04:44,017 --> 00:04:44,752 YOU FEEL ME? 220 00:04:44,752 --> 00:04:45,619 AND THAT'S WHAT I'M TRYING TO 221 00:04:45,619 --> 00:04:46,354 DO. 222 00:04:46,354 --> 00:04:47,154 THAT'S WHAT I'M ON. 223 00:04:47,154 --> 00:04:49,490 SO I WAS IN THE STUDIO, AND 224 00:04:49,490 --> 00:04:51,191 MAMA CAME THROUGH. 225 00:04:51,191 --> 00:04:51,959 OH, SHE DID? 226 00:04:51,959 --> 00:04:52,626 YEAH-- 227 00:04:52,626 --> 00:04:53,727 SHE HAD SOME TRICKS UP HER 228 00:04:53,727 --> 00:04:54,395 SLEEVE? 229 00:04:54,395 --> 00:04:55,363 WHEN SHE WAS GETTING READY TO 230 00:04:55,363 --> 00:04:57,965 LEAVE, LIKE, SHAY WALKED IN. 231 00:04:57,965 --> 00:05:00,033 THAT'S WHAT I SAID. 232 00:05:00,033 --> 00:05:00,934 HOW'D SHE KNOW YOU WAS AT THE 233 00:05:00,934 --> 00:05:01,635 STUDIO? 234 00:05:01,635 --> 00:05:02,536 I DON'T EVEN KNOW HOW MY MAMA 235 00:05:02,536 --> 00:05:03,771 KNOW I WAS AT THE STUDIO. 236 00:05:03,771 --> 00:05:04,538 SO SHE CAME IN AFTER YOUR 237 00:05:04,538 --> 00:05:05,205 MAMA. 238 00:05:05,205 --> 00:05:06,707 SHE SAT DOWN AND JUST 239 00:05:06,707 --> 00:05:08,476 STARTED TELLING ME HOW SHE FEEL 240 00:05:08,476 --> 00:05:10,043 OR WHATEVER AND BUST OUT CRYING 241 00:05:10,043 --> 00:05:10,944 AND ALL THAT STUFF. 242 00:05:10,944 --> 00:05:12,380 I'M CONFUSED, 'CAUSE WHY ARE 243 00:05:12,380 --> 00:05:13,781 YOU POPPIN' UP AT THE STUDIO 244 00:05:13,781 --> 00:05:14,915 WHERE MY MAN AT? 245 00:05:14,915 --> 00:05:16,216 MAN, THAT'S WHAT I WAS ON-- 246 00:05:16,216 --> 00:05:17,651 TWO, YOU SHOULDN'T HAVE EVEN 247 00:05:17,651 --> 00:05:19,186 HAD NO CONVERSATION WITH HER, SO 248 00:05:19,186 --> 00:05:20,954 DID SOMETHING TRANSPIRE? 249 00:05:20,954 --> 00:05:22,456 Y'ALL TALKED? 250 00:05:22,456 --> 00:05:24,492 I JUST TOLD HER ONCE AGAIN, 251 00:05:24,492 --> 00:05:25,258 "I DIDN'T MEAN TO HURT YOUR 252 00:05:25,258 --> 00:05:25,959 FEELINGS. 253 00:05:25,959 --> 00:05:26,760 I'M SORRY. 254 00:05:26,760 --> 00:05:29,062 AND I'M WITH ERICA. 255 00:05:29,062 --> 00:05:29,830 YOU KNOW WHAT I'M SAYING? 256 00:05:29,830 --> 00:05:30,998 LIKE, THAT'S WHO I WANT TO BE 257 00:05:30,998 --> 00:05:31,799 WITH. 258 00:05:31,799 --> 00:05:33,734 I--YOU KNOW, WHEN I PROPOSED, I 259 00:05:33,734 --> 00:05:34,802 DID THAT FOR A REASON, AND"-- 260 00:05:34,802 --> 00:05:35,803 SO WHAT PART ISN'T SHE 261 00:05:35,803 --> 00:05:36,537 GETTING? 262 00:05:36,537 --> 00:05:38,506 OH, NO, SHE GOT IT NOW. 263 00:05:38,506 --> 00:05:40,007 SHAY, BABY, HAVE A SEAT, 264 00:05:40,007 --> 00:05:42,009 AND PLEASE DO IT QUICKLY. 265 00:05:42,009 --> 00:05:44,277 WE'RE ENGAGED...RING AGAIN. 266 00:05:44,277 --> 00:05:45,112 I KNOW YOU SEE IT. 267 00:05:45,112 --> 00:05:46,580 IT'S DISRESPECTFUL TO CONTINUE 268 00:05:46,580 --> 00:05:48,148 TO TRY TO COME BETWEEN US. 269 00:05:48,148 --> 00:05:49,417 IT'S NOT HAPPENING. 270 00:05:49,417 --> 00:05:52,420 BUT WHAT REALLY IRKS ME IS SHAY 271 00:05:52,420 --> 00:05:53,821 SHOWING UP WITH MOMMA DEE 272 00:05:53,821 --> 00:05:55,723 AND BY "COINCIDENCE." 273 00:05:55,723 --> 00:05:56,490 HUH. 274 00:05:56,490 --> 00:05:57,290 YOU THINK SHE CAME WITH YOUR 275 00:05:57,290 --> 00:05:58,492 MAMA? 276 00:05:58,492 --> 00:06:00,027 IT HAD TO BE. 277 00:06:00,027 --> 00:06:01,862 I DON'T KNOW NO OTHER WAY. 278 00:06:01,862 --> 00:06:03,431 SO DO I NEED TO TALK TO 279 00:06:03,431 --> 00:06:04,532 MOMMA DEE? 280 00:06:04,532 --> 00:06:05,666 LIKE, DO WE NEED TO SIT DOWN AND 281 00:06:05,666 --> 00:06:06,767 HAVE, LIKE, A REAL 282 00:06:06,767 --> 00:06:08,602 WOMAN-TO-WOMAN CONVERSATION 283 00:06:08,602 --> 00:06:09,803 SO SHE KNOWS THAT THIS [bleep] 284 00:06:09,803 --> 00:06:10,571 IS REAL? 285 00:06:10,571 --> 00:06:11,639 IT'S NOT A JOKE. 286 00:06:11,639 --> 00:06:12,940 I'M NOT GOING ANYWHERE. 287 00:06:12,940 --> 00:06:14,241 I'M THINKING WE BOTH NEED TO 288 00:06:14,241 --> 00:06:15,843 SIT DOWN AND TALK TO HER. 289 00:06:15,843 --> 00:06:16,977 BRINGING SHAY INTO THE STUDIO 290 00:06:16,977 --> 00:06:18,579 WAS DEFINITELY THE ULTIMATE 291 00:06:18,579 --> 00:06:19,780 DISRESPECT, BECAUSE AT THIS 292 00:06:19,780 --> 00:06:20,614 POINT, THIS IS NOT A 293 00:06:20,614 --> 00:06:21,449 GIRLFRIEND-BOYFRIEND 294 00:06:21,449 --> 00:06:22,483 RELATIONSHIP. 295 00:06:22,483 --> 00:06:23,517 NO, THIS IS AN ENGAGEMENT THAT 296 00:06:23,517 --> 00:06:24,284 IS GONNA EVENTUALLY LEAD TO 297 00:06:24,284 --> 00:06:24,985 MARRIAGE. 298 00:06:24,985 --> 00:06:26,454 I'M NOT GOING ANYWHERE. 299 00:06:26,454 --> 00:06:27,320 SO EVENTUALLY, SHE HAS TO ACCEPT 300 00:06:27,320 --> 00:06:29,523 THAT...SOONER THAN LATER. 301 00:06:29,523 --> 00:06:30,991 AT THIS POINT, LIKE, I'M GONNA 302 00:06:30,991 --> 00:06:32,292 BE RESPECTED, PERIOD. 303 00:06:32,292 --> 00:06:34,828 I'M JUST TIRED, MAN. 304 00:06:34,828 --> 00:06:36,063 BUT I JUST WANTED TO LET YOU 305 00:06:36,063 --> 00:06:37,465 KNOW WE'RE GOING ON, BECAUSE 306 00:06:37,465 --> 00:06:38,331 WE'RE TRYING TO BUILD SOMETHING, 307 00:06:38,331 --> 00:06:39,066 AND WE'RE TRYING TO-- 308 00:06:39,066 --> 00:06:39,967 YEAH, WE ARE. 309 00:06:39,967 --> 00:06:41,368 YOU KNOW, WE'RE TRYING TO 310 00:06:41,368 --> 00:06:42,636 WORK SOME THINGS OUT. 311 00:06:42,636 --> 00:06:44,104 YOU KNOW, I AIN'T TRYING TO GO 312 00:06:44,104 --> 00:06:46,039 DOWN THAT ROAD OF YOU NOT 313 00:06:46,039 --> 00:06:47,475 KNOWING WHAT'S GOING ON. 314 00:06:47,475 --> 00:06:48,341 I COULDN'T RESPECT YOU ANY 315 00:06:48,341 --> 00:06:49,477 MORE. 316 00:06:49,477 --> 00:06:51,078 I MEAN-- 317 00:06:51,078 --> 00:06:51,945 I'M HUNGRY. 318 00:06:51,945 --> 00:06:53,213 CAN WE EAT? 319 00:06:53,213 --> 00:06:54,848 YOU CAN EAT. 320 00:06:54,848 --> 00:06:55,883 I DON'T EVEN HAVE AN APPETITE 321 00:06:55,883 --> 00:07:00,020 NO MORE. 322 00:07:00,020 --> 00:07:01,088 [upbeat funky music] 323 00:07:01,088 --> 00:07:03,757 ♪ 324 00:07:03,757 --> 00:07:05,493 AHH! 325 00:07:05,493 --> 00:07:06,494 [laughs] 326 00:07:06,494 --> 00:07:08,261 WELL, YOU LOOK PRETTY. 327 00:07:08,261 --> 00:07:10,764 DON'T FORGET ABOUT ME, BOO. 328 00:07:10,764 --> 00:07:12,365 WHAT'S UP? 329 00:07:12,365 --> 00:07:14,868 YOU LOOK GOOD. 330 00:07:14,868 --> 00:07:16,504 I'M SO EXCITED, AND I'M 331 00:07:16,504 --> 00:07:17,671 CELEBRATING MY INDEPENDENCE. 332 00:07:17,671 --> 00:07:19,507 I INVITED THE GIRLS OVER TO HAVE 333 00:07:19,507 --> 00:07:21,775 DRINKS, MIMOSAS, AND CELEBRATE 334 00:07:21,775 --> 00:07:22,943 MY HOUSEWARMING. 335 00:07:22,943 --> 00:07:24,545 NOW, I KNOW K. AND RASHEEDA 336 00:07:24,545 --> 00:07:25,646 HAVEN'T SEEN EACH OTHER SINCE 337 00:07:25,646 --> 00:07:27,247 THEIR LAST FIGHT, SO I'M HOPING 338 00:07:27,247 --> 00:07:28,782 THEY CAN BE CIVIL FOR MY SAKE. 339 00:07:28,782 --> 00:07:30,183 I MUST BE UNDER A ROCK. 340 00:07:30,183 --> 00:07:31,552 WHAT BROUGHT ON THE CHANGE, 341 00:07:31,552 --> 00:07:32,319 THE SUDDEN MOVE? 342 00:07:32,319 --> 00:07:33,353 I'M--I'M LOST. 343 00:07:33,353 --> 00:07:34,187 WELL, I WAS STAYING AT 344 00:07:34,187 --> 00:07:36,524 STEVIE'S TEMPORARILY. 345 00:07:36,524 --> 00:07:37,357 I WAS TRYING TO FIND A HOUSE. 346 00:07:37,357 --> 00:07:39,092 THE PROCESS WAS TAKING TOO LONG. 347 00:07:39,092 --> 00:07:39,927 I JUST GOT THE [bleep] UP OUT OF 348 00:07:39,927 --> 00:07:40,628 THERE. 349 00:07:40,628 --> 00:07:41,962 EXCUSE MY LANGUAGE. 350 00:07:41,962 --> 00:07:43,531 AND I JUST HAD TO GET MY OWN 351 00:07:43,531 --> 00:07:45,265 SPACE, MY OWN-- 352 00:07:45,265 --> 00:07:45,966 HALLELUJAH. 353 00:07:45,966 --> 00:07:46,767 WHAT DO YOU THINK IS GONNA 354 00:07:46,767 --> 00:07:47,535 HAPPEN? 355 00:07:47,535 --> 00:07:49,236 Y'ALL HAVE A DAUGHTER... 356 00:07:49,236 --> 00:07:50,370 ALL I KNOW IS, WE NEED TO BE 357 00:07:50,370 --> 00:07:51,539 ABLE TO CO-PARENT. 358 00:07:51,539 --> 00:07:52,172 THAT'S IMPORTANT. 359 00:07:52,172 --> 00:07:53,040 THAT'S ALL I'M CONCERNED 360 00:07:53,040 --> 00:07:53,707 ABOUT. 361 00:07:53,707 --> 00:07:55,108 ANYTHING ELSE, I DON'T CARE. 362 00:07:55,108 --> 00:07:57,177 YOU MIGHTY QUIET. 363 00:07:57,177 --> 00:07:58,311 GIRL, I'M JUST TAKING IN THE 364 00:07:58,311 --> 00:07:58,979 AIR. 365 00:07:58,979 --> 00:08:00,614 ARE YOU ALL RIGHT? 366 00:08:00,614 --> 00:08:01,649 RASHEEDA, ARE YOU OKAY? 367 00:08:01,649 --> 00:08:02,650 WELL, WHY WOULDN'T I BE? 368 00:08:02,650 --> 00:08:03,717 I'M HERE. 369 00:08:03,717 --> 00:08:05,185 SAY HI TO EACH OTHER. 370 00:08:05,185 --> 00:08:06,887 [bleep], YOU IN A HOUSEWARMING. 371 00:08:06,887 --> 00:08:07,555 SAY HI. 372 00:08:07,555 --> 00:08:08,388 IT'S WARM AS [bleep] IN HERE 373 00:08:08,388 --> 00:08:09,089 ANYWAY. 374 00:08:09,089 --> 00:08:10,390 YOU AIN'T LYING ABOUT THAT 375 00:08:10,390 --> 00:08:11,725 [bleep]. 376 00:08:11,725 --> 00:08:12,726 IT'S BEEN A MINUTE SINCE I 377 00:08:12,726 --> 00:08:14,662 SEEN THE GEORGIA PRUNE RASHEEDA, 378 00:08:14,662 --> 00:08:15,596 AND I'M NOT TOO THRILLED OR 379 00:08:15,596 --> 00:08:17,364 HAPPY ABOUT IT, BUT IT'S MIMI'S 380 00:08:17,364 --> 00:08:18,632 DAY, AND I HAVE TO BE THERE TO 381 00:08:18,632 --> 00:08:20,934 SUPPORT, SO I'M JUST GONNA TRY 382 00:08:20,934 --> 00:08:22,469 TO, YOU KNOW, BE A GOOD LITTLE 383 00:08:22,469 --> 00:08:23,737 CHRISTIAN GIRL. 384 00:08:23,737 --> 00:08:24,905 I AIN'T TRYING TO BE A 385 00:08:24,905 --> 00:08:26,406 GROWN-ASS WOMAN ARGUING WITH NO 386 00:08:26,406 --> 00:08:27,575 NEXT GROWN-ASS WOMAN ALL THE 387 00:08:27,575 --> 00:08:28,208 TIME. 388 00:08:28,208 --> 00:08:30,110 YOU KNOW, I THINK I COME ACROSS 389 00:08:30,110 --> 00:08:31,444 YOUR MIND A FEW TIMES HERE AND 390 00:08:31,444 --> 00:08:32,179 THERE VIA TWITTER. 391 00:08:32,179 --> 00:08:32,846 NO, BITCH. 392 00:08:32,846 --> 00:08:33,814 YES, BITCH. 393 00:08:33,814 --> 00:08:34,582 NO, YOU AND YOUR LITTLE 394 00:08:34,582 --> 00:08:36,283 INSTAGRAM ESSAYS. 395 00:08:36,283 --> 00:08:37,685 INSTAGRAM ESSAYS? 396 00:08:37,685 --> 00:08:38,919 WHO TAKES OUT TIME TO TYPE 397 00:08:38,919 --> 00:08:39,720 A FULL ESSAY-- 398 00:08:39,720 --> 00:08:41,088 THE SAME PERSON WHO GETS ON 399 00:08:41,088 --> 00:08:42,590 THEIR INTERVIEWS AND WANT TO 400 00:08:42,590 --> 00:08:43,456 TALK ABOUT WHAT THEY SHOULDA-- 401 00:08:43,456 --> 00:08:44,792 I TELL IT LIKE IT IS. 402 00:08:44,792 --> 00:08:45,893 THAT'S WHAT YOU FOOL WITH 403 00:08:45,893 --> 00:08:47,460 "THE WORLD" TO THINK. 404 00:08:47,460 --> 00:08:48,461 OBVIOUSLY, YOU WERE LIVING IN 405 00:08:48,461 --> 00:08:49,997 MY HOUSE UNDER MY BED WHEN I WAS 406 00:08:49,997 --> 00:08:50,931 GOING THROUGH MY RELATIONSHIP-- 407 00:08:50,931 --> 00:08:52,099 NO, OBVIOUSLY, YOU FOND OF 408 00:08:52,099 --> 00:08:54,101 ME, BITCH, 'CAUSE ALL YOU DO IS 409 00:08:54,101 --> 00:08:55,669 TALK ABOUT RASHEEDA. 410 00:08:55,669 --> 00:08:56,804 JUST BE WORRIED ABOUT WHEN YOUR 411 00:08:56,804 --> 00:08:58,005 ASS IS GONNA HIT THE FLOOR 412 00:08:58,005 --> 00:08:59,106 WITH THAT FAKE [bleep], 413 00:08:59,106 --> 00:09:00,808 WHEN THE MOTHER[bleep] DROP 414 00:09:00,808 --> 00:09:01,742 AND YOUR ASS IN THE HOSPITAL 415 00:09:01,742 --> 00:09:03,376 SOME-[bleep]-WHERE, OKAY? 416 00:09:03,376 --> 00:09:04,511 I WAS TRYING TO BE COOL WITH 417 00:09:04,511 --> 00:09:05,245 K. MICHELLE. 418 00:09:05,245 --> 00:09:06,079 BUT YOU KNOW WHAT? 419 00:09:06,079 --> 00:09:07,280 SHE ALWAYS POPPIN' OFF ON THE 420 00:09:07,280 --> 00:09:08,816 BLOGS, ON THE INTERNET, AND 421 00:09:08,816 --> 00:09:09,617 DOING WHAT SHE DO. 422 00:09:09,617 --> 00:09:10,350 AND YOU KNOW WHAT? 423 00:09:10,350 --> 00:09:11,885 I'M TIRED OF HER [bleep]. 424 00:09:11,885 --> 00:09:12,720 SEE, I AIN'T FOR THE [bleep]. 425 00:09:12,720 --> 00:09:14,788 YEAH, I BE READY TO HIT A BITCH, 426 00:09:14,788 --> 00:09:16,790 FOR REAL. 427 00:09:16,790 --> 00:09:18,191 PULL THAT RAGGEDY-ASS WIG OFF 428 00:09:18,191 --> 00:09:18,926 YOUR MOTHER[bleep] HEAD. 429 00:09:18,926 --> 00:09:19,660 WHOO! 430 00:09:19,660 --> 00:09:20,628 WE MAD. 431 00:09:20,628 --> 00:09:22,630 WE A REAL BITCH. 432 00:09:25,633 --> 00:09:26,266 WHAT DID YOU SAY? 433 00:09:26,266 --> 00:09:27,100 UH-UH, NO FIGHTING IN HERE. 434 00:09:27,100 --> 00:09:27,835 "TELL KIRK AND HIS THREE 435 00:09:27,835 --> 00:09:28,636 EARRINGS" WHAT? 436 00:09:28,636 --> 00:09:29,302 PLEASE, NO. 437 00:09:29,302 --> 00:09:30,137 OH, YOU GONNA HIT ME WITH A-- 438 00:09:30,137 --> 00:09:30,971 OH, YOU GONNA THROW A CANDLE AT 439 00:09:30,971 --> 00:09:31,905 ME, BITCH? 440 00:09:31,905 --> 00:09:33,173 YOU WANT A THROW A--YOU WANT TO 441 00:09:33,173 --> 00:09:33,874 THROW FIRE? 442 00:09:33,874 --> 00:09:35,108 KIRK AND HIS THREE EARRINGS? 443 00:09:35,108 --> 00:09:36,276 GET OUT OF MY FACE. 444 00:09:36,276 --> 00:09:37,645 GET THE [bleep] OUT OF MY FACE. 445 00:09:37,645 --> 00:09:38,812 UH-UH, NUH-HUH. 446 00:09:38,812 --> 00:09:39,647 NO, NO, NO, NO, NO, NO. 447 00:09:39,647 --> 00:09:40,413 NOPE, NOPE, NOPE, NOPE, NOPE, 448 00:09:40,413 --> 00:09:41,081 NOPE. 449 00:09:41,081 --> 00:09:42,015 [bleep]. 450 00:09:42,015 --> 00:09:42,716 OKAY, I'M COOL. 451 00:09:42,716 --> 00:09:43,851 I'M COOL. I'M COOL. I'M COOL. 452 00:09:43,851 --> 00:09:44,517 OKAY, IT'S COOL. 453 00:09:44,517 --> 00:09:45,518 IT'S COOL. IT'S COOL. IT'S COOL. 454 00:09:45,518 --> 00:09:46,854 IT'S COOL. IT'S COOL. 455 00:09:46,854 --> 00:09:48,722 IT'S COOL. 456 00:09:48,722 --> 00:09:50,390 AHH! 457 00:09:50,390 --> 00:09:51,358 LET ME GET AHOLD OF THIS 458 00:09:51,358 --> 00:09:52,025 BITCH. 459 00:09:52,025 --> 00:09:53,661 HEY! BOO-BOO! 460 00:09:53,661 --> 00:09:55,395 MIMI, I'M SORRY, BUT SHE 461 00:09:55,395 --> 00:09:57,497 [bleep] WITH THE WRONG BITCH. 462 00:09:57,497 --> 00:09:59,099 I'MA TELL YOU NOW. 463 00:09:59,099 --> 00:09:59,900 I WILL BREAK THIS 464 00:09:59,900 --> 00:10:01,935 MOTHER[bleep]'S NECK. 465 00:10:01,935 --> 00:10:03,804 THIS ZOO ANIMAL IS A PAIN IN MY 466 00:10:03,804 --> 00:10:04,872 ASS. 467 00:10:04,872 --> 00:10:06,206 WHY ARE YOU ALWAYS SO WORRIED 468 00:10:06,206 --> 00:10:07,941 ABOUT ME AND MY HUSBAND? 469 00:10:07,941 --> 00:10:09,710 YOU NEED TO WORRY ABOUT YOU AND 470 00:10:09,710 --> 00:10:12,179 ALL THE 500,000 [bleep] YOU'RE 471 00:10:12,179 --> 00:10:13,613 [bleep], OKAY? 472 00:10:13,613 --> 00:10:15,916 WASTING MY TIME ON THIS WANNABE 473 00:10:15,916 --> 00:10:17,117 KEYSHIA COLE SLAW-- 474 00:10:17,117 --> 00:10:18,686 AHH-BAH-BAH-BAH, GEORGIA 475 00:10:18,686 --> 00:10:19,386 PRUNE! 476 00:10:19,386 --> 00:10:20,353 YOU'RE NO GEORGIA PEACH. 477 00:10:20,353 --> 00:10:22,222 I MIGHT BE A PRUNE, BITCH. 478 00:10:22,222 --> 00:10:23,456 I MIGHT BE WHATEVER THE [bleep] 479 00:10:23,456 --> 00:10:24,457 I AM, BUT GUESS WHAT. 480 00:10:24,457 --> 00:10:25,525 LET ME GUESS WHAT. 481 00:10:25,525 --> 00:10:26,860 WE DON'T WANT TO HEAR--WE DON'T 482 00:10:26,860 --> 00:10:28,395 WANT TO HEAR YOU. 483 00:10:28,395 --> 00:10:31,231 WE DON'T WANT TO HEAR YOU. 484 00:10:31,231 --> 00:10:32,065 JUST LIKE WE DON'T WANT TO HEAR 485 00:10:32,065 --> 00:10:33,333 YOUR MUSIC, GEORGIA PEACH. 486 00:10:33,333 --> 00:10:35,568 GIRL, YOU BETTER HOPE... 487 00:10:35,568 --> 00:10:36,970 [sighs] 488 00:10:36,970 --> 00:10:38,171 * I'M RASHEEDA ♪ 489 00:10:38,171 --> 00:10:40,073 ♪ I RAP LIKE SHAWTY LO 490 00:10:40,073 --> 00:10:41,441 BITCH, YOU KNOW WHAT? 491 00:10:41,441 --> 00:10:42,509 I'M DONE, FOR REAL. 492 00:10:42,509 --> 00:10:46,379 I'M DONE. 493 00:10:46,379 --> 00:10:48,682 MEATBALLS. 494 00:10:48,682 --> 00:10:51,685 [sighs] 495 00:10:51,685 --> 00:10:53,253 WE NEVER GONNA BE FRIENDS, 496 00:10:53,253 --> 00:10:54,421 OKAY? 497 00:10:54,421 --> 00:10:55,488 THAT'S CLEAR. 498 00:10:55,488 --> 00:10:57,057 YOU SEEING SOMEBODY? 499 00:10:57,057 --> 00:10:58,358 STEVIE, I'M DOING ME. 500 00:10:58,358 --> 00:10:59,226 WHO IS IT? 501 00:10:59,226 --> 00:11:01,228 ARE YOU? 502 00:11:01,228 --> 00:11:02,195 MM. 503 00:11:02,195 --> 00:11:03,864 I BELIEVE THAT Y'ALL-- 504 00:11:03,864 --> 00:11:04,732 SHE TALKED TO ME. HOLD UP. 505 00:11:04,732 --> 00:11:06,099 YOU KNOW, YOU JUST DON'T CARE 506 00:11:06,099 --> 00:11:08,769 ABOUT WHAT I GOT GOING ON. 507 00:11:13,573 --> 00:11:14,574 [upbeat funky music] 508 00:11:14,574 --> 00:11:18,746 ♪ 509 00:11:18,746 --> 00:11:20,047 I GOT A NEW APARTMENT TO GET 510 00:11:20,047 --> 00:11:21,414 AWAY FROM THE BULL[bleep] AND 511 00:11:21,414 --> 00:11:22,582 THE DRAMA, AND NOW AT MY 512 00:11:22,582 --> 00:11:23,751 HOUSEWARMING, TWO OF MY GOOD 513 00:11:23,751 --> 00:11:25,152 FRIENDS GET INTO IT. 514 00:11:25,152 --> 00:11:26,153 LIKE, WHAT THE... 515 00:11:26,153 --> 00:11:27,287 REALLY? 516 00:11:27,287 --> 00:11:28,621 I'M SO [bleep] TIRED OF 517 00:11:28,621 --> 00:11:29,957 DEALING WITH THIS DUMB [bleep]. 518 00:11:29,957 --> 00:11:32,192 I'MA CALL YOU BACK. 519 00:11:32,192 --> 00:11:32,860 I TRIED. 520 00:11:32,860 --> 00:11:33,994 I'M JUST MAD THAT THIS 521 00:11:33,994 --> 00:11:35,195 [bleep] EVEN... 522 00:11:35,195 --> 00:11:36,196 I TRIED TO BE 523 00:11:36,196 --> 00:11:37,530 MOTHER[bleep] COOL, AND THE 524 00:11:37,530 --> 00:11:38,866 BITCH WANTED TO KEEP POPPIN' HER 525 00:11:38,866 --> 00:11:39,933 MOTHER[bleep] MOUTH AND HIT ME 526 00:11:39,933 --> 00:11:42,102 WITH A MOTHER[bleep] CANDLE, A 527 00:11:42,102 --> 00:11:43,503 FIRE, BITCH? 528 00:11:43,503 --> 00:11:45,205 THIS IS HER NEW CRIB, AND YOU'RE 529 00:11:45,205 --> 00:11:47,107 GONNA DISRESPECT HER BY STARTING 530 00:11:47,107 --> 00:11:48,909 OFF THROWING [bleep] AT 531 00:11:48,909 --> 00:11:49,676 SOMEBODY? 532 00:11:49,676 --> 00:11:50,343 LIKE, FOR REAL? 533 00:11:50,343 --> 00:11:51,411 I THINK PEOPLE USE THE TERM 534 00:11:51,411 --> 00:11:53,280 "FRIEND" A LITTLE TOO LIGHTLY, 535 00:11:53,280 --> 00:11:54,081 'CAUSE THAT AIN'T NO DAMN 536 00:11:54,081 --> 00:11:54,782 FRIEND. 537 00:11:54,782 --> 00:11:55,415 I DON'T UNDERSTAND. 538 00:11:55,415 --> 00:11:56,884 I'M CONFUSED. 539 00:11:56,884 --> 00:11:58,151 I'M NOT [bleep] CONFUSED. 540 00:11:58,151 --> 00:11:59,619 WE NEVER GONNA BE FRIENDS. 541 00:11:59,619 --> 00:12:00,921 THAT'S CLEAR. 542 00:12:00,921 --> 00:12:02,289 OH, MY GOD. 543 00:12:02,289 --> 00:12:02,956 [laughs] 544 00:12:02,956 --> 00:12:03,623 OH, MY GOD. 545 00:12:03,623 --> 00:12:04,424 IT'S A HOUSEWARMING. 546 00:12:04,424 --> 00:12:05,158 IT WAS. 547 00:12:05,158 --> 00:12:06,059 WHAT THE HELL? 548 00:12:06,059 --> 00:12:07,694 YO, THESE GIRLS ARE CRAZY IN 549 00:12:07,694 --> 00:12:08,929 HERE. 550 00:12:08,929 --> 00:12:09,863 COME ON, K. 551 00:12:09,863 --> 00:12:11,064 I MEAN, THAT'S MY GIRL. 552 00:12:11,064 --> 00:12:12,099 I LOVE HER. 553 00:12:12,099 --> 00:12:14,167 BUT SHE KNOWS A COUPLE OF THOSE 554 00:12:14,167 --> 00:12:17,871 SCREWS ARE NOT TIGHT UP THERE. 555 00:12:17,871 --> 00:12:18,939 I'M REALLY ANGRY SHE THREW THAT 556 00:12:18,939 --> 00:12:19,807 CANDLE AT YOU. 557 00:12:19,807 --> 00:12:20,440 ANGRY? 558 00:12:20,440 --> 00:12:21,241 MAN, [bleep] THAT CANDLE. 559 00:12:21,241 --> 00:12:22,075 IF I'D HAVE HAD A CHANCE, 560 00:12:22,075 --> 00:12:23,343 I'D HAVE BROKE--I'D HAVE PULLED 561 00:12:23,343 --> 00:12:24,544 THAT WIG OFF HER HEAD. 562 00:12:24,544 --> 00:12:25,378 YOU WAS TRYING TO THROW THAT 563 00:12:25,378 --> 00:12:26,546 BOTTLE OF ACE OF SPADE TOO. 564 00:12:26,546 --> 00:12:27,380 AND I'D HAVE BOUGHT YOU 565 00:12:27,380 --> 00:12:28,181 ANOTHER ONE, TOO, IF I-- 566 00:12:28,181 --> 00:12:29,182 NO, I DON'T WANT YOU TO BUY 567 00:12:29,182 --> 00:12:30,150 ME ANOTHER BOTTLE. 568 00:12:30,150 --> 00:12:31,318 I'M LIKE, "BITCH, YOU BETTER PUT 569 00:12:31,318 --> 00:12:32,552 THAT GODDAMN BOTTLE DOWN." 570 00:12:32,552 --> 00:12:33,320 I APOLOGIZE, THOUGH, FOR 571 00:12:33,320 --> 00:12:33,987 THAT-- 572 00:12:33,987 --> 00:12:35,455 DON'T APOLOGIZE, BECAUSE IT 573 00:12:35,455 --> 00:12:36,489 WAS NOT YOUR FAULT. 574 00:12:36,489 --> 00:12:37,224 IT ALL COULD HAVE BEEN 575 00:12:37,224 --> 00:12:39,159 HANDLED DIFFERENTLY, YOU KNOW. 576 00:12:39,159 --> 00:12:39,827 NOT SO MUCH. 577 00:12:39,827 --> 00:12:40,828 THE WAY THAT [bleep] WENT DOWN, 578 00:12:40,828 --> 00:12:41,694 IT WAS GONNA GO DOWN NO MATTER 579 00:12:41,694 --> 00:12:42,863 WHAT THE [bleep] I SAID, YOU 580 00:12:42,863 --> 00:12:43,831 SAID. 581 00:12:43,831 --> 00:12:44,932 JESUS COULD HAVE CAME DOWN 582 00:12:44,932 --> 00:12:47,467 HIMSELF AND SAID, "BREAK IT UP," 583 00:12:47,467 --> 00:12:48,902 AND THIS WAS NOT GONNA [bleep] 584 00:12:48,902 --> 00:12:49,937 HAPPEN. 585 00:12:49,937 --> 00:12:51,839 I GUESS MIMI WAS RIGHT. 586 00:12:51,839 --> 00:12:53,106 THERE WAS NO WAY ME AND THE 587 00:12:53,106 --> 00:12:54,341 DONKEY WAS GONNA BE ABLE TO BE 588 00:12:54,341 --> 00:12:55,742 IN THE ROOM TOGETHER AND HAVE A 589 00:12:55,742 --> 00:12:57,277 LOGICAL CONVERSATION AND CROSS 590 00:12:57,277 --> 00:12:58,678 OUR LEGS LIKE GROWN WOMEN. 591 00:12:58,678 --> 00:13:00,280 I'M DONE WITH IT. 592 00:13:00,280 --> 00:13:01,081 STILL GOT THAT BOTTLE? 593 00:13:01,081 --> 00:13:02,049 YES, THAT BOTTLE IS IN THERE. 594 00:13:02,049 --> 00:13:03,716 YOU DIDN'T THROW IT AWAY. 595 00:13:03,716 --> 00:13:04,651 GOOD, GOOD. 596 00:13:04,651 --> 00:13:06,253 LET'S DRINK THE BOTTLE. 597 00:13:06,253 --> 00:13:07,287 I'M DONE WITH THESE 598 00:13:07,287 --> 00:13:08,288 RATCHET-ASS [bleep]-- 599 00:13:08,288 --> 00:13:09,456 STOP USING THAT WORD. 600 00:13:09,456 --> 00:13:10,858 I MEAN, DAMN, WHAT ELSE CAN 601 00:13:10,858 --> 00:13:12,459 CAN YOU SAY TO SOMEBODY WITH A 602 00:13:12,459 --> 00:13:13,660 BACKWARDS WIG ON? 603 00:13:13,660 --> 00:13:14,995 THAT'S Y'ALL GODDAMN FRIEND. 604 00:13:14,995 --> 00:13:15,695 IT'S ALL GOOD. 605 00:13:15,695 --> 00:13:16,964 OOH, GIRL! 606 00:13:16,964 --> 00:13:19,666 REMIND ME TO GET THIS GODDAMN 607 00:13:19,666 --> 00:13:20,868 CANDLE WAX OFF ME. 608 00:13:20,868 --> 00:13:22,302 BITCH TRIED TO SET ME ON FIRE. 609 00:13:22,302 --> 00:13:23,670 RASHEEDA, DON'T [bleep] PLAY. 610 00:13:23,670 --> 00:13:24,371 OH, HOW YOU GET IN THIS 611 00:13:24,371 --> 00:13:25,105 BITCH? 612 00:13:25,105 --> 00:13:26,373 DON'T [bleep] PLAY. 613 00:13:26,373 --> 00:13:27,374 [percussive music] 614 00:13:27,374 --> 00:13:28,976 ♪ 615 00:13:28,976 --> 00:13:30,410 MAN, I'M GOING TO SEE MY MAMA 616 00:13:30,410 --> 00:13:31,078 TODAY, MAN. 617 00:13:31,078 --> 00:13:31,879 YOU KNOW WHAT I'M SAYING? 618 00:13:31,879 --> 00:13:33,246 I GOT TO HOLLER AT HER ABOUT 619 00:13:33,246 --> 00:13:35,015 THE SITCH-E-ATION THAT HAPPENED 620 00:13:35,015 --> 00:13:35,983 THE OTHER NIGHT. 621 00:13:35,983 --> 00:13:38,518 HEY, TYLER, LOOK WHO'S HERE. 622 00:13:38,518 --> 00:13:40,220 LOOK, IT'S YOUR BIG BROTHER. 623 00:13:40,220 --> 00:13:41,288 HE AIN'T MY BROTHER. 624 00:13:41,288 --> 00:13:43,123 JUST SET ME UP ON SOME MAFIA HIT 625 00:13:43,123 --> 00:13:44,057 TYPES, FEEL LIKE YOU FEELIN' 626 00:13:44,057 --> 00:13:44,724 TO WHACK ME. 627 00:13:44,724 --> 00:13:45,592 WE GOT SHAY COMING IN FROM THE 628 00:13:45,592 --> 00:13:46,493 BACK, YOU KNOW. 629 00:13:46,493 --> 00:13:47,961 I'M LIKE, "WOW." 630 00:13:47,961 --> 00:13:48,962 I JUST WANT TO HOLLER AT HER, 631 00:13:48,962 --> 00:13:50,230 'CAUSE I AIN'T REALLY TOO MUCH 632 00:13:50,230 --> 00:13:52,099 CARE FOR THAT SITUATION. 633 00:13:52,099 --> 00:13:53,566 YOU AIN'T LOOKING TOO GOOD. 634 00:13:53,566 --> 00:13:56,336 NO, I AIN'T FEELING TOO GOOD. 635 00:13:56,336 --> 00:13:59,072 YOU KNOW, ALL THAT SHAY STUFF, 636 00:13:59,072 --> 00:14:00,407 AND, YOU KNOW, I TOLD YOU--I'M 637 00:14:00,407 --> 00:14:03,010 LIKE, IF I'M GOING TO THE LEFT, 638 00:14:03,010 --> 00:14:04,444 YOU NEED TO GO TO THE LEFT TOO, 639 00:14:04,444 --> 00:14:05,445 'CAUSE WE FAMILY. 640 00:14:05,445 --> 00:14:06,213 YOU KNOW WHAT I'M SAYING? 641 00:14:06,213 --> 00:14:07,314 YOU KNOW, LIKE, YOU'VE GOT A 642 00:14:07,314 --> 00:14:09,182 GRANDDAUGHTER WITH ERICA. 643 00:14:09,182 --> 00:14:09,917 YOU FEEL ME? 644 00:14:09,917 --> 00:14:11,684 NOT WITH HER, SO IT AIN'T-- 645 00:14:11,684 --> 00:14:12,519 AIN'T NOTHING COMING OUT OF 646 00:14:12,519 --> 00:14:13,186 THAT. 647 00:14:13,186 --> 00:14:14,021 AIN'T NOTHING COMING FROM IT. 648 00:14:14,021 --> 00:14:15,155 AIN'T NOTHING GONNA HAPPEN. 649 00:14:15,155 --> 00:14:15,822 YOU FEEL ME? 650 00:14:15,822 --> 00:14:17,024 JUST LIKE I TOLD HER. 651 00:14:17,024 --> 00:14:18,491 MY MAMA IS BRINGING SHAY TO THE 652 00:14:18,491 --> 00:14:19,927 STUDIO OFF THE TOP DOING 653 00:14:19,927 --> 00:14:21,294 SOMETHING I ALREADY SAID I DON'T 654 00:14:21,294 --> 00:14:23,263 LIKE, AND THEN SHE BASICALLY 655 00:14:23,263 --> 00:14:24,697 GOT ME THINKING, LIKE, SHE'S 656 00:14:24,697 --> 00:14:26,233 BEEN RUNNING AROUND WITH SHAY. 657 00:14:26,233 --> 00:14:28,368 I DON'T NEED YOU SCHEMING, 658 00:14:28,368 --> 00:14:30,137 PUTTING ON A SKI MASK WITH 659 00:14:30,137 --> 00:14:31,471 ANOTHER CHICK TRYING TO RUIN 660 00:14:31,471 --> 00:14:33,240 WHAT I GOT GOING ON. 661 00:14:33,240 --> 00:14:34,174 IT'S REAL [bleep]. 662 00:14:34,174 --> 00:14:35,275 HOW YOU GET A CHANCE TO TALK TO 663 00:14:35,275 --> 00:14:36,509 HER IF YOU DON'T BE AROUND HER 664 00:14:36,509 --> 00:14:38,011 LIKE THAT, IF YOU JUST POP UP-- 665 00:14:38,011 --> 00:14:40,080 Y'ALL ARE IN THE SAME PLACE, 666 00:14:40,080 --> 00:14:41,114 BUT YOU DON'T TALK TO HER LIKE 667 00:14:41,114 --> 00:14:41,781 THAT? 668 00:14:41,781 --> 00:14:42,515 HOW IS THAT? 669 00:14:42,515 --> 00:14:43,650 I RAN ACROSS HER IN THE 670 00:14:43,650 --> 00:14:45,485 STREET, BELIEVE IT OR NOT. 671 00:14:45,485 --> 00:14:46,186 YEAH. 672 00:14:46,186 --> 00:14:47,420 IT SOUND LIKE YOU LYING 673 00:14:47,420 --> 00:14:48,688 ALREADY. 674 00:14:48,688 --> 00:14:51,058 THE THING OF IT IS THAT... 675 00:14:51,058 --> 00:14:51,959 THE THING OF IT IS... 676 00:14:51,959 --> 00:14:53,060 SHE TALKED TO ME. 677 00:14:53,060 --> 00:14:53,726 HOLD UP. HOLD UP. 678 00:14:53,726 --> 00:14:54,962 YOU JUST DON'T CARE ABOUT 679 00:14:54,962 --> 00:14:56,263 WHAT I GOT GOING ON. 680 00:14:56,263 --> 00:14:57,097 I BELIEVE THAT Y'ALL BE HOOKED 681 00:14:57,097 --> 00:14:57,764 UP. 682 00:14:57,764 --> 00:14:58,731 Y'ALL KNOW WHERE IT'S GONNA BE 683 00:14:58,731 --> 00:15:00,733 AND ALL THAT. 684 00:15:02,135 --> 00:15:03,503 BUT IT'S IN MY SCOPE, AND I'M 685 00:15:03,503 --> 00:15:05,105 TELLING YOU NOW, I'M ROUNDING 686 00:15:05,105 --> 00:15:06,406 THE KINGDOM, AND I'M LOOKING 687 00:15:06,406 --> 00:15:08,841 DOWN OVER EVERYTHING 688 00:15:08,841 --> 00:15:10,410 AND ALL THE PEASANTS AND ALL THE 689 00:15:10,410 --> 00:15:12,345 ROYAL BLOODS, BUT THE QUEEN 690 00:15:12,345 --> 00:15:13,746 AIN'T ALWAYS ON POINT, AND I 691 00:15:13,746 --> 00:15:14,614 APOLOGIZE. 692 00:15:14,614 --> 00:15:15,615 WHAT? QUEEN? 693 00:15:15,615 --> 00:15:16,449 HOLD ON NOW. 694 00:15:16,449 --> 00:15:17,650 LIKE, YOU TAKING THIS PRINCE 695 00:15:17,650 --> 00:15:19,987 OF THE SOUTH A LITTLE TOO FAR. 696 00:15:19,987 --> 00:15:20,988 YOU KNOW WHAT I'M SAYING? 697 00:15:20,988 --> 00:15:21,721 SHE CALLING TROOPS AND 698 00:15:21,721 --> 00:15:22,822 EVERYTHING. 699 00:15:22,822 --> 00:15:23,991 AND YOU KNOW WHAT ELSE? 700 00:15:23,991 --> 00:15:24,791 YOU JUST SAID THE OTHER DAY, 701 00:15:24,791 --> 00:15:26,226 LIKE, "I CAN'T EVEN COME OVER 702 00:15:26,226 --> 00:15:27,627 THERE AND COOK." 703 00:15:27,627 --> 00:15:28,428 OKAY, SO-- 704 00:15:28,428 --> 00:15:29,562 WHAT YOU WANT, A MEAT LOAF? 705 00:15:29,562 --> 00:15:30,763 NO, THIS IS WHAT I WANT. 706 00:15:30,763 --> 00:15:33,333 I WANT FRIED CHICKEN, MACARONI 707 00:15:33,333 --> 00:15:34,734 AND CHEESE, 'CAUSE THAT'S-- 708 00:15:34,734 --> 00:15:35,468 MY DAUGHTER LIKE THAT TOO. 709 00:15:35,468 --> 00:15:36,569 I KNOW. SHE LOVES IT. 710 00:15:36,569 --> 00:15:39,206 AND WE ALL SIT DOWN, ME, 711 00:15:39,206 --> 00:15:43,110 ERICA, MIGNON, AND MOMMA DEE, 712 00:15:43,110 --> 00:15:44,277 HAVE A GOOD DINNER. 713 00:15:44,277 --> 00:15:45,745 IF SCRAPPY FEELS LIKE HAVING 714 00:15:45,745 --> 00:15:47,614 THIS SIT-DOWN DINNER WOULD HELP 715 00:15:47,614 --> 00:15:49,116 ME AND ERICA'S RELATIONSHIP, 716 00:15:49,116 --> 00:15:50,050 I'M WILLING TO OBLIGE THE 717 00:15:50,050 --> 00:15:52,152 PRINCE, BUT I'M TELLING YOU NOW, 718 00:15:52,152 --> 00:15:55,055 I AM HOVERING, WATCHING OVER 719 00:15:55,055 --> 00:15:57,024 EVERY MOVE SHE MAKES. 720 00:15:57,024 --> 00:15:57,890 THAT'S HOW I THINK WE SHOULD 721 00:15:57,890 --> 00:15:58,558 DO IT. 722 00:15:58,558 --> 00:16:00,093 OKAY, AND SO IT IS SAID, 723 00:16:00,093 --> 00:16:02,262 SO SHALL IT BE WRITTEN. 724 00:16:02,262 --> 00:16:04,031 HE ALREADY DONE SPOKE IT. 725 00:16:04,031 --> 00:16:05,265 [laughs] LET THE CHURCH SAY 726 00:16:05,265 --> 00:16:07,800 AMEN. 727 00:16:07,800 --> 00:16:08,801 [aggressive hip-hop music] 728 00:16:08,801 --> 00:16:16,876 ♪ 729 00:16:16,876 --> 00:16:20,647 OLUREMI, WHAT'S GOING ON? 730 00:16:20,647 --> 00:16:21,381 HELLO. 731 00:16:21,381 --> 00:16:22,082 HOW ARE YOU? 732 00:16:22,082 --> 00:16:23,316 I'M GOOD. 733 00:16:23,316 --> 00:16:24,417 FINALLY GOT BACK TO ME. 734 00:16:24,417 --> 00:16:25,385 I'M HITTING YOU. 735 00:16:25,385 --> 00:16:26,219 I'M TEXTING YOU. 736 00:16:26,219 --> 00:16:27,454 SO YOU FINALLY FIGURED YOU WOULD 737 00:16:27,454 --> 00:16:28,688 MEET ME SOMEWHERE? 738 00:16:28,688 --> 00:16:29,522 ABSOLUTELY. 739 00:16:29,522 --> 00:16:30,557 SO EVER SINCE I MOVED OUT, 740 00:16:30,557 --> 00:16:32,059 STEVIE'S BEEN ASKING ME WHERE I 741 00:16:32,059 --> 00:16:32,692 LIVE. 742 00:16:32,692 --> 00:16:34,061 AT THE END OF THE DAY, STEVIE 743 00:16:34,061 --> 00:16:35,495 AND I STILL HAVE TO CO-PARENT, 744 00:16:35,495 --> 00:16:38,065 SO I RETURNED HIS CALL AND 745 00:16:38,065 --> 00:16:40,067 AGREED TO DISCUSS WHATEVER WE 746 00:16:40,067 --> 00:16:41,201 NEED TO DISCUSS. 747 00:16:41,201 --> 00:16:42,069 I KNOW YOU GOT A LOT GOING 748 00:16:42,069 --> 00:16:44,737 ON, BUT YOU LOOK BEAUTIFUL, 749 00:16:44,737 --> 00:16:47,207 AND I MISS YOU, AND I WANT TO 750 00:16:47,207 --> 00:16:47,874 SEE MY BABY. 751 00:16:47,874 --> 00:16:49,376 THAT'S NOT A PROBLEM. 752 00:16:49,376 --> 00:16:50,477 WHEN CAN I SEE MY BABY? 753 00:16:50,477 --> 00:16:51,478 WHEN WOULD YOU LIKE? 754 00:16:51,478 --> 00:16:52,479 DO WE NEED-- 755 00:16:52,479 --> 00:16:53,146 RIGHT NOW. 756 00:16:53,146 --> 00:16:53,980 DO YOU WANT TO DO A SCHEDULE? 757 00:16:53,980 --> 00:16:55,082 YOU CAN'T SEE HER RIGHT NOW. 758 00:16:55,082 --> 00:16:56,083 A SCHEDULE? 759 00:16:56,083 --> 00:16:57,650 I'M SAYING TO MAKE IT 760 00:16:57,650 --> 00:16:58,885 EASIER... 761 00:16:58,885 --> 00:17:00,687 [laughs] DO A SCHEDULE TO 762 00:17:00,687 --> 00:17:01,621 SEE MY BABY. 763 00:17:01,621 --> 00:17:03,090 NO, I'M JUST SAYING, IF WE DO 764 00:17:03,090 --> 00:17:04,224 A SCHEDULE, THAT WAY-- 765 00:17:04,224 --> 00:17:05,692 MONDAYS AT 6:00 P.M. 766 00:17:05,692 --> 00:17:08,628 TUESDAYS AT 7:30. 767 00:17:08,628 --> 00:17:09,662 YOU KNOW, HOW ARE WE DOING THAT? 768 00:17:09,662 --> 00:17:10,697 THAT AIN'T HOW I'M USED TO DOING 769 00:17:10,697 --> 00:17:11,431 THAT. 770 00:17:11,431 --> 00:17:12,232 I DON'T KNOW WHAT KIND OF 771 00:17:12,232 --> 00:17:13,400 [bleep] IS SHE TRYING TO PULL, 772 00:17:13,400 --> 00:17:14,567 BUT EVA IS MY DAUGHTER, 773 00:17:14,567 --> 00:17:15,635 AND I WILL FIND OUT WHERE SHE 774 00:17:15,635 --> 00:17:16,969 LIVES WITH OR WITHOUT HER HELP. 775 00:17:16,969 --> 00:17:17,837 AND THAT'S JUST THE WAY IT'S 776 00:17:17,837 --> 00:17:18,505 GONNA GO. 777 00:17:18,505 --> 00:17:19,272 WHERE IS SHE? 778 00:17:19,272 --> 00:17:20,107 SHE'S FINE. 779 00:17:20,107 --> 00:17:20,773 WHERE DO YOU LIVE? 780 00:17:20,773 --> 00:17:21,441 STEVIE-- 781 00:17:21,441 --> 00:17:22,809 I WANT TO BE ABLE TO GO AND 782 00:17:22,809 --> 00:17:24,111 PICK HER UP. 783 00:17:24,111 --> 00:17:24,811 IS THIS-- 784 00:17:24,811 --> 00:17:26,479 YOU JUST WANT TO KNOW SO 785 00:17:26,479 --> 00:17:27,414 YOU CAN GO PICK HER UP? 786 00:17:27,414 --> 00:17:28,115 THAT'S WHY-- 787 00:17:28,115 --> 00:17:28,848 I WANT TO KNOW WHO SHE'S 788 00:17:28,848 --> 00:17:29,516 AROUND. 789 00:17:29,516 --> 00:17:30,283 SHE'S AROUND ME. 790 00:17:30,283 --> 00:17:30,950 AND WHO ELSE? 791 00:17:30,950 --> 00:17:31,618 THAT'S IT. 792 00:17:31,618 --> 00:17:32,285 WHO ELSE? 793 00:17:32,285 --> 00:17:33,120 THAT'S--YOU KNOW WHO I'M 794 00:17:33,120 --> 00:17:33,853 AROUND. 795 00:17:33,853 --> 00:17:35,188 YOU SEEING SOMEBODY? 796 00:17:35,188 --> 00:17:36,956 STEVIE, I'M DOING ME. 797 00:17:36,956 --> 00:17:37,624 YOU'RE DOING YOU? 798 00:17:37,624 --> 00:17:40,693 THAT'S IT. 799 00:17:40,693 --> 00:17:42,962 IS HE FLYER THAN ME? 800 00:17:42,962 --> 00:17:43,630 [laughs] 801 00:17:43,630 --> 00:17:45,765 IS HE MORE TALENTED THAN ME? 802 00:17:45,765 --> 00:17:47,134 HAVE A BODY LIKE MINE? 803 00:17:47,134 --> 00:17:49,169 OH, WOW. 804 00:17:49,169 --> 00:17:50,270 HUH? IS HE? 805 00:17:50,270 --> 00:17:51,404 WHO IS IT? 806 00:17:51,404 --> 00:17:54,941 ARE YOU? 807 00:17:54,941 --> 00:17:56,143 THAT'S NEITHER HERE NOR 808 00:17:56,143 --> 00:17:57,009 THERE. 809 00:17:57,009 --> 00:17:58,278 MM. 810 00:17:58,278 --> 00:17:59,479 REALLY NONE OF STEVIE'S 811 00:17:59,479 --> 00:18:01,281 BUSINESS WHO I'M DATING, WHO I'M 812 00:18:01,281 --> 00:18:03,983 SEEING, WHO COMES BY MY PLACE, 813 00:18:03,983 --> 00:18:05,152 ANY OF THAT. 814 00:18:05,152 --> 00:18:05,852 DO YOU. 815 00:18:05,852 --> 00:18:07,387 I'M GONNA DO ME. 816 00:18:07,387 --> 00:18:09,656 AND LET IT BE THAT, PERIOD. 817 00:18:09,656 --> 00:18:10,757 STEVIE... 818 00:18:10,757 --> 00:18:12,392 WHERE DO YOU LIVE? 819 00:18:12,392 --> 00:18:14,327 I LIVE IN ATLANTA. 820 00:18:14,327 --> 00:18:16,196 [scoffs] 821 00:18:16,196 --> 00:18:17,664 YOU KNOW, WHEN I FIND OUT WHERE 822 00:18:17,664 --> 00:18:18,998 IT IS, I AIN'T TRIPPING. 823 00:18:18,998 --> 00:18:19,699 YOU KNOW WHAT I'M SAYING? 824 00:18:19,699 --> 00:18:20,467 I'M NOT ABOUT TO ASK YOU A 825 00:18:20,467 --> 00:18:21,634 MILLION TIMES. 826 00:18:21,634 --> 00:18:22,635 OKAY. 827 00:18:22,635 --> 00:18:24,371 BUT I'LL SHOW UP, OKAY? 828 00:18:24,371 --> 00:18:26,173 YOU ALWAYS DO. 829 00:18:26,173 --> 00:18:28,007 I'LL SEE YOU LATER. 830 00:18:28,007 --> 00:18:30,510 YOU LOOK GOOD, BABY. 831 00:18:30,510 --> 00:18:31,744 THANK YOU. 832 00:18:31,744 --> 00:18:32,712 CAN I HAVE A KISS? 833 00:18:32,712 --> 00:18:35,682 NO. 834 00:18:35,682 --> 00:18:37,250 I'LL SEE YOU SOON, OKAY? 835 00:18:37,250 --> 00:18:38,084 I'LL CALL YOU WITH THE BABY. 836 00:18:38,084 --> 00:18:38,818 CALL ME, SO I CAN GET THE 837 00:18:38,818 --> 00:18:39,552 BABY. 838 00:18:39,552 --> 00:18:41,554 I WILL. 839 00:18:46,259 --> 00:18:47,460 Y'ALL GIVE IT UP FOR MY GIRL, 840 00:18:47,460 --> 00:18:49,028 THE BEAUTIFUL MISS JOSELINE 841 00:18:49,028 --> 00:18:50,597 HERNANDEZ. 842 00:18:50,597 --> 00:18:51,764 IF I DON'T GET MY MONEY, 843 00:18:51,764 --> 00:18:52,832 YOU GOT A PROBLEM. 844 00:18:52,832 --> 00:18:55,034 DO YOU KNOW THAT THIS TRICK 845 00:18:55,034 --> 00:18:56,102 REARED BACK AND THREW THAT 846 00:18:56,102 --> 00:18:57,404 [bleep] AT ME? 847 00:18:57,404 --> 00:18:58,838 IF SHE'S WILLING TO DO THAT, 848 00:18:58,838 --> 00:18:59,872 AIN'T NO TELLING WHAT SHE GONNA 849 00:18:59,872 --> 00:19:01,208 TRY NEXT, AND THAT'S GONNA BRING 850 00:19:01,208 --> 00:19:02,575 SOME REAL PROBLEMS, AND I DON'T 851 00:19:02,575 --> 00:19:04,010 THINK SHE'S DONE HER HOMEWORK TO 852 00:19:04,010 --> 00:19:04,844 KNOW WHAT TYPE OF PROBLEMS 853 00:19:04,844 --> 00:19:06,846 THAT'S GONNA BRING. 854 00:19:11,718 --> 00:19:12,719 [upbeat funky music] 855 00:19:12,719 --> 00:19:14,020 ♪ 856 00:19:14,020 --> 00:19:16,523 [sizzling] 857 00:19:16,523 --> 00:19:17,224 HI. 858 00:19:17,224 --> 00:19:17,857 HEY. 859 00:19:17,857 --> 00:19:18,891 WHAT'S UP? 860 00:19:18,891 --> 00:19:19,826 mwah! 861 00:19:19,826 --> 00:19:21,228 WHAT ARE WE EATING? 862 00:19:21,228 --> 00:19:22,829 RICE, CORN, VEGETABLES. 863 00:19:22,829 --> 00:19:23,663 I'M ALMOST FINISHED. 864 00:19:23,663 --> 00:19:24,664 I WOULD HAVE BEEN DONE IF I 865 00:19:24,664 --> 00:19:27,734 WASN'T CLEANING UP THIS [bleep]. 866 00:19:27,734 --> 00:19:28,901 WHAT IS THAT? 867 00:19:28,901 --> 00:19:30,136 IT'S CANDLE WAX. 868 00:19:30,136 --> 00:19:32,405 SO I GO TO MIMI'S HOUSEWARMING, 869 00:19:32,405 --> 00:19:33,573 AND I KIND OF WAS SUSPECTING 870 00:19:33,573 --> 00:19:34,441 THAT K. MICHELLE WAS GONNA 871 00:19:34,441 --> 00:19:35,107 BE THERE. 872 00:19:35,107 --> 00:19:36,309 WE BACKIN' AND FORTHIN'. 873 00:19:36,309 --> 00:19:37,477 SO I'M LIKE, "YOU KNOW WHAT? 874 00:19:37,477 --> 00:19:38,711 THIS IS NOT WHAT I CAME FOR." 875 00:19:38,711 --> 00:19:39,746 SO I GRABBED MY STUFF. 876 00:19:39,746 --> 00:19:41,314 I HEAD TO WALK OUT THE DOOR. 877 00:19:41,314 --> 00:19:43,483 SHE'S STILL RUNNIN' THAT TRAP. 878 00:19:43,483 --> 00:19:44,751 "GOOD LUCK WITH YOUR HUSBAND 879 00:19:44,751 --> 00:19:46,886 AND HIS THREE EARRINGS." 880 00:19:46,886 --> 00:19:47,654 IT'S NOT THREE EARRINGS. 881 00:19:47,654 --> 00:19:48,821 IT'S FOUR, BUT ANYWAY, WHAT THE 882 00:19:48,821 --> 00:19:49,722 [bleep] ARE YOU WORRYING ABOUT 883 00:19:49,722 --> 00:19:50,457 ME FOR? 884 00:19:50,457 --> 00:19:51,324 GET YOUR MATH RIGHT, NUMBER 885 00:19:51,324 --> 00:19:51,991 ONE. 886 00:19:51,991 --> 00:19:53,092 SHE MAD, 'CAUSE SHE AIN'T GOT A 887 00:19:53,092 --> 00:19:54,361 [bleep] WITH NO EARRINGS, OKAY? 888 00:19:54,361 --> 00:19:55,662 SO IF I'VE GOT THREE EARRINGS 889 00:19:55,662 --> 00:19:56,929 OR FOUR EARRINGS IN MY EAR, I'M 890 00:19:56,929 --> 00:19:57,630 GAY? 891 00:19:57,630 --> 00:19:58,298 REALLY? 892 00:19:58,298 --> 00:19:59,799 I WANTED TO BE GAY, I'D BE GAY. 893 00:19:59,799 --> 00:20:02,302 I'M MOTHER--I'M 100% REAL 894 00:20:02,302 --> 00:20:03,703 STREET HOOD CAT. 895 00:20:03,703 --> 00:20:04,637 DO YOUR HOMEWORK. 896 00:20:04,637 --> 00:20:05,838 SO ALL THAT, I MEAN, IT 897 00:20:05,838 --> 00:20:06,639 DOESN'T-- 898 00:20:06,639 --> 00:20:07,774 AIN'T NOBODY GOT TO PROVE NO 899 00:20:07,774 --> 00:20:09,442 POINT TO HER AND NO-[bleep]-BODY 900 00:20:09,442 --> 00:20:10,109 ELSE. 901 00:20:10,109 --> 00:20:11,244 K. MICHELLE HAS TALKED [bleep] 902 00:20:11,244 --> 00:20:13,179 ABOUT ME ONE TOO MANY TIMES 903 00:20:13,179 --> 00:20:14,714 AND BE TRYING TO DISRESPECT MY 904 00:20:14,714 --> 00:20:16,549 HUSBAND AND CALL HIM "GAY." 905 00:20:16,549 --> 00:20:17,650 WHATEVER, BITCH. 906 00:20:17,650 --> 00:20:18,651 SHE'S JEALOUS OF ME BEING 907 00:20:18,651 --> 00:20:19,519 MARRIED. 908 00:20:19,519 --> 00:20:20,953 SHE'S JEALOUS OF MY FAMILY. 909 00:20:20,953 --> 00:20:22,221 SHE'S JEALOUS OF MY FRIENDS. 910 00:20:22,221 --> 00:20:23,222 AND YOU KNOW WHAT? 911 00:20:23,222 --> 00:20:25,124 RIGHT NOW, I AM DONE WITH IT. 912 00:20:25,124 --> 00:20:26,125 I'M LIKE, YOU KNOW, "SO WHAT IS 913 00:20:26,125 --> 00:20:26,859 IT? 914 00:20:26,859 --> 00:20:27,627 WHAT'S UP?" 915 00:20:27,627 --> 00:20:28,895 I WALK OVER THERE TO HER. 916 00:20:28,895 --> 00:20:30,397 SHE'S SITTING IN THE CHAIR. 917 00:20:30,397 --> 00:20:32,732 THIS BITCH GOT A CANDLE IN HER 918 00:20:32,732 --> 00:20:33,666 HAND. 919 00:20:33,666 --> 00:20:35,835 DO YOU KNOW THAT THIS TRICK 920 00:20:35,835 --> 00:20:37,103 REARED BACK AND THREW THAT 921 00:20:37,103 --> 00:20:37,970 [bleep] AT ME? 922 00:20:37,970 --> 00:20:40,239 CANDLE WAX ALL OVER ME. 923 00:20:40,239 --> 00:20:41,408 Y'ALL HAD Y'ALL BEEF. 924 00:20:41,408 --> 00:20:42,409 I STAY OUT THE [bleep]. 925 00:20:42,409 --> 00:20:43,242 SHE KEEP PUTTING MY 926 00:20:43,242 --> 00:20:44,511 MOTHER[bleep] NAME IN HER MOUTH. 927 00:20:44,511 --> 00:20:45,845 THE BITCH NEED TO KEEP MY NAME 928 00:20:45,845 --> 00:20:46,846 OUT HER MOUTH, NUMBER ONE. 929 00:20:46,846 --> 00:20:47,847 SHE DON'T KNOW ME. 930 00:20:47,847 --> 00:20:48,681 BUT HER PICKING UP [bleep] AND 931 00:20:48,681 --> 00:20:50,317 THROWING IT YOU, THAT [bleep] 932 00:20:50,317 --> 00:20:52,352 IS--THAT [bleep] IS A NO-GO. 933 00:20:52,352 --> 00:20:53,353 SO THAT CONVERSATION IS GONNA 934 00:20:53,353 --> 00:20:54,754 NEED TO BE MOTHER[bleep] HAD, 935 00:20:54,754 --> 00:20:56,656 NUMBER ONE, PERIOD, POINT BLANK, 936 00:20:56,656 --> 00:20:58,491 BECAUSE THAT'S CROSSING SOME 937 00:20:58,491 --> 00:21:00,026 SERIOUS LINES. 938 00:21:00,026 --> 00:21:01,328 IT'S ONE THING TO TALK [bleep] 939 00:21:01,328 --> 00:21:02,929 ABOUT RASHEEDA IN A BLOG, BUT 940 00:21:02,929 --> 00:21:04,196 IT'S ANOTHER THING TO ENDANGER 941 00:21:04,196 --> 00:21:05,532 THE LIFE OF MY WIFE AND THE 942 00:21:05,532 --> 00:21:06,633 MOTHER OF MY CHILD. 943 00:21:06,633 --> 00:21:07,900 AT THIS POINT, I'VE GOT TO GET 944 00:21:07,900 --> 00:21:08,568 INVOLVED. 945 00:21:08,568 --> 00:21:09,802 IF SHE'S WILLING TO DO THAT, 946 00:21:09,802 --> 00:21:11,037 AIN'T NO TELLING WHAT SHE GONNA 947 00:21:11,037 --> 00:21:12,439 TRY NEXT, AND THAT'S GONNA BRING 948 00:21:12,439 --> 00:21:13,740 SOME REAL PROBLEMS, AND I DON'T 949 00:21:13,740 --> 00:21:15,007 THINK SHE'S DONE HER HOMEWORK TO 950 00:21:15,007 --> 00:21:15,942 KNOW WHAT TYPE OF PROBLEMS 951 00:21:15,942 --> 00:21:17,344 THAT'S GONNA BRING, SO I NEED TO 952 00:21:17,344 --> 00:21:18,044 TALK TO HER. 953 00:21:18,044 --> 00:21:19,178 THAT I DO ALREADY KNOW. 954 00:21:19,178 --> 00:21:20,613 AND I'M BEING 100. 955 00:21:20,613 --> 00:21:21,514 I MEAN, I DON'T KNOW WHAT'S 956 00:21:21,514 --> 00:21:23,215 GONNA CHANGE IT, BUT SHE GOT TO 957 00:21:23,215 --> 00:21:25,151 KNOW WHERE TO DRAW THAT LINE AT, 958 00:21:25,151 --> 00:21:27,487 AND I'VE GOT TO ADDRESS THAT. 959 00:21:27,487 --> 00:21:28,888 I CAN'T BE MAD AT KIRK FOR 960 00:21:28,888 --> 00:21:30,357 TRYING TO BE A PRINCE CHARMING 961 00:21:30,357 --> 00:21:31,558 AND COME TO MY RESCUE TO TALK 962 00:21:31,558 --> 00:21:33,626 TO THIS FIRE-THROWING DRAGON, 963 00:21:33,626 --> 00:21:34,927 DONKEY-ASS BITCH. 964 00:21:34,927 --> 00:21:35,995 SEE, THE DIFFERENCE BETWEEN ME 965 00:21:35,995 --> 00:21:37,797 AND K. IS, I'VE GOT A HUSBAND, 966 00:21:37,797 --> 00:21:39,399 AND SOMETHING K. CAN'T TAKE AWAY 967 00:21:39,399 --> 00:21:40,266 FROM ME. 968 00:21:40,266 --> 00:21:43,135 GIVE ME SOME LOVE. 969 00:21:43,135 --> 00:21:44,437 MMM-MMM. 970 00:21:44,437 --> 00:21:45,438 [funky music] 971 00:21:45,438 --> 00:21:53,680 ♪ 972 00:21:53,680 --> 00:21:55,548 DO WE NEED ONIONS? 973 00:21:55,548 --> 00:21:56,516 THEY GOT SPANISH SWEET 974 00:21:56,516 --> 00:21:57,750 ONIONS. 975 00:21:57,750 --> 00:21:58,985 I WANT SOME ORANGES. 976 00:21:58,985 --> 00:22:00,387 HERE, HERE, HERE, HERE. 977 00:22:00,387 --> 00:22:01,854 TANGERINES MIGHT BE SWEETER. 978 00:22:01,854 --> 00:22:02,522 IS IT SEASON FOR THESE? 979 00:22:02,522 --> 00:22:05,492 SO LOOK, I TALKED TO MY MOM 980 00:22:05,492 --> 00:22:06,258 THE OTHER DAY, 981 00:22:06,258 --> 00:22:07,627 KIND OF GOT ON HER... 982 00:22:07,627 --> 00:22:08,728 YOU FEEL ME? 983 00:22:08,728 --> 00:22:09,762 ABOUT THAT LITTLE SITUATION I 984 00:22:09,762 --> 00:22:10,830 TOLD YOU, AND I WAS VERY 985 00:22:10,830 --> 00:22:11,964 RESPECTFUL WITH HER TOO. 986 00:22:11,964 --> 00:22:13,132 FIZZ-NAY-EE? 987 00:22:13,132 --> 00:22:14,000 OH, YOU TALKING ABOUT THE 988 00:22:14,000 --> 00:22:14,801 STUDIO SITUATION. 989 00:22:14,801 --> 00:22:16,669 YEAH, AND JUST PERIOD, JUST 990 00:22:16,669 --> 00:22:18,204 BEING JUST--THAT'S 991 00:22:18,204 --> 00:22:19,506 DISRESPECTFUL TOWARDS WHAT WE 992 00:22:19,506 --> 00:22:20,172 GOT GOING ON. 993 00:22:20,172 --> 00:22:21,007 YOU FEEL ME? 994 00:22:21,007 --> 00:22:22,675 I WANTED TO LET HER KNOW THAT 995 00:22:22,675 --> 00:22:23,976 I AM RESPECTFUL, AND I DO LOVE 996 00:22:23,976 --> 00:22:25,845 YOU, AND WE DO NEED TO BE A 997 00:22:25,845 --> 00:22:27,414 FAMILY AT THE END OF THE DAY, 998 00:22:27,414 --> 00:22:28,214 YOU KNOW, WHETHER THEY LIKE IT 999 00:22:28,214 --> 00:22:29,582 OR NOT, SO I WAS JUST LIKE, 1000 00:22:29,582 --> 00:22:30,783 "HEY, I WANT BOTH OF Y'ALL TO 1001 00:22:30,783 --> 00:22:31,518 COME OVER... 1002 00:22:31,518 --> 00:22:32,419 YOU KNOW WHAT I'M SAYING? 1003 00:22:32,419 --> 00:22:33,920 AND HAVE A BIG DINNER, AND WE'LL 1004 00:22:33,920 --> 00:22:34,621 SIT DOWN"-- 1005 00:22:34,621 --> 00:22:35,287 WHO? 1006 00:22:35,287 --> 00:22:36,589 ME, YOU, AND YOUR MOM TOGETHER? 1007 00:22:36,589 --> 00:22:37,256 AND YOUR MOM. 1008 00:22:37,256 --> 00:22:38,057 AND MY MOM? 1009 00:22:38,057 --> 00:22:38,791 MM-HMM. 1010 00:22:38,791 --> 00:22:40,427 I'M NOT SURE IF HAVING THIS 1011 00:22:40,427 --> 00:22:41,761 DINNER RIGHT NOW IS THE BEST 1012 00:22:41,761 --> 00:22:42,629 IDEA. 1013 00:22:42,629 --> 00:22:43,496 I'VE BEEN TRYING TO GET THIS 1014 00:22:43,496 --> 00:22:44,797 FAMILY TO COME TOGETHER FOR A 1015 00:22:44,797 --> 00:22:47,767 MINUTE NOW, AND MOMMA DEE IS 1016 00:22:47,767 --> 00:22:49,536 JUST ALWAYS AGAINST ME. 1017 00:22:49,536 --> 00:22:51,303 I'M NOT SURE AS TO WHY SCRAPPY 1018 00:22:51,303 --> 00:22:52,204 THINKS THIS TIME IS GONNA BE ANY 1019 00:22:52,204 --> 00:22:53,005 DIFFERENT. 1020 00:22:53,005 --> 00:22:54,441 I'M JUST TRYING TO MAKE IT BE 1021 00:22:54,441 --> 00:22:55,808 LIKE A FAMILY INSTEAD OF KEEP 1022 00:22:55,808 --> 00:22:56,976 GOING ON AND ON AND ON AND ON 1023 00:22:56,976 --> 00:22:57,644 AND ON. 1024 00:22:57,644 --> 00:22:58,678 I MEAN, THAT'S WHAT I TELL YOU 1025 00:22:58,678 --> 00:22:59,345 ALL THE TIME. 1026 00:22:59,345 --> 00:23:00,012 I CAN'T CONTROL HER. 1027 00:23:00,012 --> 00:23:00,680 YOU FEEL ME? 1028 00:23:00,680 --> 00:23:01,881 BUT WHAT I CAN DO AND WHAT YOU 1029 00:23:01,881 --> 00:23:03,182 CAN DO IS TRY. 1030 00:23:03,182 --> 00:23:03,916 YOU FEEL ME? 1031 00:23:03,916 --> 00:23:05,452 I'M TRYING TO BE A FAMILY, 1032 00:23:05,452 --> 00:23:06,786 AND IT AIN'T GONNA BE A FAMILY 1033 00:23:06,786 --> 00:23:08,688 WITHOUT OUR PARENTS AND WITHOUT 1034 00:23:08,688 --> 00:23:09,456 OUR BROTHERS AND SISTERS. 1035 00:23:09,456 --> 00:23:11,157 I MEAN, WE CAN BE SOLO-DOLO 1036 00:23:11,157 --> 00:23:13,325 AND OFF IN THE CUT SOMEWHERE, 1037 00:23:13,325 --> 00:23:15,027 YOU KNOW, BY OURSELF, BUT THAT 1038 00:23:15,027 --> 00:23:16,262 AIN'T COOL FOR EMANI. 1039 00:23:16,262 --> 00:23:16,963 YOU KNOW WHAT I'M SAYING? 1040 00:23:16,963 --> 00:23:18,565 EMANI NEED HER WHOLE FAMILY. 1041 00:23:18,565 --> 00:23:19,231 YOU FEEL ME? 1042 00:23:19,231 --> 00:23:20,232 WELL, OUT OF RESPECT FOR YOU, 1043 00:23:20,232 --> 00:23:21,367 I'LL DO IT, BUT IF SHE COMING TO 1044 00:23:21,367 --> 00:23:22,301 MY HOUSE, SHE GONNA RESPECT ME 1045 00:23:22,301 --> 00:23:22,969 IN MY HOUSE. 1046 00:23:22,969 --> 00:23:23,870 OH, NO, SHE DEFINITELY GONNA 1047 00:23:23,870 --> 00:23:24,537 RESPECT US... 1048 00:23:24,537 --> 00:23:25,271 THAT'S ALL I GOT TO SAY. 1049 00:23:25,271 --> 00:23:26,138 IN THE HOUSE--IN OUR HOUSE. 1050 00:23:26,138 --> 00:23:26,906 YEAH, YOU RIGHT. 1051 00:23:26,906 --> 00:23:27,674 YOU FEEL ME? 1052 00:23:27,674 --> 00:23:28,475 AND IF THAT DON'T WORK, 1053 00:23:28,475 --> 00:23:29,175 WHATEVER. 1054 00:23:29,175 --> 00:23:30,009 I KNOW Y'ALL ARE STILL GONNA BE 1055 00:23:30,009 --> 00:23:30,777 AT THE WEDDING. 1056 00:23:30,777 --> 00:23:32,512 ALL Y'ALL CAN DO IS CRY AND SAY 1057 00:23:32,512 --> 00:23:33,179 BYE. 1058 00:23:33,179 --> 00:23:33,980 YOU FEEL ME? 1059 00:23:33,980 --> 00:23:35,014 I GREW UP WITH BOTH OF MY 1060 00:23:35,014 --> 00:23:36,483 GRANDPARENTS, BOTH SIDES. 1061 00:23:36,483 --> 00:23:37,484 EVERYBODY SHOWED LOVE. 1062 00:23:37,484 --> 00:23:39,118 DIDN'T NOBODY GET INTO NO BEEF. 1063 00:23:39,118 --> 00:23:40,487 SO I WANT MY LITTLE GIRL TO HAVE 1064 00:23:40,487 --> 00:23:42,489 THE SAME OPPORTUNITY WITH HER 1065 00:23:42,489 --> 00:23:43,322 LIFE. 1066 00:23:43,322 --> 00:23:44,757 SO WHEN YOU TRYING TO HAVE 1067 00:23:44,757 --> 00:23:45,492 THIS? 1068 00:23:45,492 --> 00:23:46,125 ASAP. 1069 00:23:46,125 --> 00:23:46,793 WHAT'S ASAP? 1070 00:23:46,793 --> 00:23:48,094 LIKE... 1071 00:23:48,094 --> 00:23:48,961 WHEN YOU--WHEN YOU THINK 1072 00:23:48,961 --> 00:23:49,829 YOU'LL BE READY? 1073 00:23:49,829 --> 00:23:50,897 GIVE ME A COUPLE OF DAYS. 1074 00:23:50,897 --> 00:23:52,164 I GOT YOU. 1075 00:23:52,164 --> 00:23:53,132 OKAY. 1076 00:23:53,132 --> 00:23:54,867 WHAT YOU NEED TO DO IS GO 1077 00:23:54,867 --> 00:23:56,402 MAKE MY LITTLE MAID CLEAN YOUR 1078 00:23:56,402 --> 00:23:57,570 HOUSE, FIND THAT MOTHER[bleep] 1079 00:23:57,570 --> 00:23:58,738 CONTRACT, BRING IT BACK TO ME, 1080 00:23:58,738 --> 00:24:00,306 AND THEN ASK ME FOR 30%, 1081 00:24:00,306 --> 00:24:01,273 'CAUSE I DON'T WANT TO SLAP THE 1082 00:24:01,273 --> 00:24:02,108 [bleep] OUT YOUR ASS. 1083 00:24:02,108 --> 00:24:07,213 [all shouting indistinctly] 1084 00:24:07,213 --> 00:24:09,215 SEE, MIMI. 1085 00:24:14,186 --> 00:24:15,187 [upbeat electronic music] 1086 00:24:15,187 --> 00:24:23,195 ♪ 1087 00:24:28,134 --> 00:24:28,801 [cheers and applause] 1088 00:24:28,801 --> 00:24:30,202 Y'ALL GIVE IT UP FOR MY GIRL, 1089 00:24:30,202 --> 00:24:31,871 THE BEAUTIFUL MISS JOSELINE 1090 00:24:31,871 --> 00:24:33,305 HERNANDEZ. 1091 00:24:33,305 --> 00:24:35,642 * TALK TO ME SHORTLY, YOU DON'T WANT TO ♪ 1092 00:24:35,642 --> 00:24:37,777 ♪ NA' IF THEY PAY THE COMB ♪ 1093 00:24:37,777 --> 00:24:39,546 ♪ FOUND TO HESITATE ♪ 1094 00:24:39,546 --> 00:24:41,548 ♪ AND IF IT LIGHTS A CANDLE ♪ 1095 00:24:41,548 --> 00:24:42,549 ♪ DON'T JOVE ♪ 1096 00:24:42,549 --> 00:24:44,083 ♪ NOW WHAT A HOLY TURNOVER ♪ 1097 00:24:44,083 --> 00:24:47,086 ♪ I PROTECT YOU FROM THIS BITCH ♪ 1098 00:24:47,086 --> 00:24:49,288 ♪ SUBLIMINAL, CRIMINAL 1099 00:24:49,288 --> 00:24:50,557 ♪ VERY REAL ♪ 1100 00:24:50,557 --> 00:24:53,560 ♪ YOUR VERY ARTIFICIAL ♪ 1101 00:24:53,560 --> 00:24:54,293 Y'ALL GIVE IT UP 1102 00:24:54,293 --> 00:24:56,028 FOR JOSELINE HERNANDEZ. 1103 00:24:56,028 --> 00:24:57,564 I'M SO ANGRY WITH STEVIE, 1104 00:24:57,564 --> 00:24:58,297 'CAUSE HE'S LIKE, 1105 00:24:58,297 --> 00:24:59,298 "I ASKED YOU FOR MY CONTRACT. 1106 00:24:59,298 --> 00:25:00,032 YOU DON'T HAVE IT. 1107 00:25:00,032 --> 00:25:02,134 I ASKED YOU FOR MY SINGLE. 1108 00:25:02,134 --> 00:25:03,002 WE DON'T HAVE A SINGLE." 1109 00:25:03,002 --> 00:25:04,604 YOU THINK YOU'RE MY GATEKEEPER. 1110 00:25:04,604 --> 00:25:05,271 BUT FOR REAL, 1111 00:25:05,271 --> 00:25:07,239 I DON'T NEED YOUR ASS ANYMORE. 1112 00:25:07,239 --> 00:25:08,407 AHH. 1113 00:25:08,407 --> 00:25:09,141 HAH! 1114 00:25:09,141 --> 00:25:09,842 IT WENT SO GOOD. 1115 00:25:09,842 --> 00:25:10,577 THEY LOVED YOU. 1116 00:25:10,577 --> 00:25:12,478 I KNOW. OH, MY GOD. 1117 00:25:12,478 --> 00:25:14,046 HOW MUCH MONEY WE MADE, BITCH? 1118 00:25:14,046 --> 00:25:15,782 IT'S $7,000--$3,500, $3,500 1119 00:25:15,782 --> 00:25:16,482 ON THE PICKUP. 1120 00:25:16,482 --> 00:25:17,650 LET ME GIVE YOU YOUR CUT. 1121 00:25:17,650 --> 00:25:19,218 HERE'S A LITTLE EXTRA, BOO, 1122 00:25:19,218 --> 00:25:20,587 'CAUSE YOU KNOW MY HOMEY 1123 00:25:20,587 --> 00:25:21,721 GOT TO GET THAT CHING. 1124 00:25:21,721 --> 00:25:22,388 THAT CHING. 1125 00:25:22,388 --> 00:25:23,355 THIS WAS A GOOD BOOKING. 1126 00:25:23,355 --> 00:25:24,857 YOU DID A GOOD--THIS WAS GREAT, 1127 00:25:24,857 --> 00:25:25,692 AND WE LOOKED SO GOOD TONIGHT. 1128 00:25:25,692 --> 00:25:26,659 OH, GOD. 1129 00:25:26,659 --> 00:25:27,426 WHAT'S UP, LADIES? 1130 00:25:27,426 --> 00:25:28,194 DAMN. 1131 00:25:28,194 --> 00:25:29,028 WHY YOU COMING UP IN HERE 1132 00:25:29,028 --> 00:25:31,163 LOOKING LIKE DAMN MALCOLM X? 1133 00:25:31,163 --> 00:25:31,964 I JUST COME IN HERE TO GET 1134 00:25:31,964 --> 00:25:32,665 THE BREAD. 1135 00:25:32,665 --> 00:25:33,332 TO GET WHAT BREAD? 1136 00:25:33,332 --> 00:25:34,734 'CAUSE YOU AIN'T BOOKED NOTHING. 1137 00:25:34,734 --> 00:25:35,467 SHE BOOKED THIS SHOW. 1138 00:25:35,467 --> 00:25:36,736 FIRST OF ALL, WHY ARE YOU AT THE 1139 00:25:36,736 --> 00:25:37,503 GAY CLUB? 1140 00:25:37,503 --> 00:25:39,138 AND SECOND OF ALL, YOU NOT GONNA 1141 00:25:39,138 --> 00:25:40,607 GET A BITCH-ASS THING FROM ME, 1142 00:25:40,607 --> 00:25:42,374 'CAUSE I AIN'T GOT NO CONTRACT. 1143 00:25:42,374 --> 00:25:43,209 AIN'T NO MONEY WAS MADE IN 1144 00:25:43,209 --> 00:25:43,876 THE CLUB TONIGHT? 1145 00:25:43,876 --> 00:25:44,744 NO, WE DIDN'T MAKE ANYTHING. 1146 00:25:44,744 --> 00:25:46,245 ACT LIKE A [bleep] MANAGER, 1147 00:25:46,245 --> 00:25:47,814 AND THEN MAYBE YOUR ASS WILL GET 1148 00:25:47,814 --> 00:25:49,315 [bleep] PAID, AND GET ME MY 1149 00:25:49,315 --> 00:25:50,182 [bleep] CONTRACT. 1150 00:25:50,182 --> 00:25:51,050 YOU LOOKING LIKE YOU AN 1151 00:25:51,050 --> 00:25:51,884 ARTIST TONIGHT. 1152 00:25:51,884 --> 00:25:52,852 ARE YOU THE ARTIST OR THE 1153 00:25:52,852 --> 00:25:53,519 MANAGER? 1154 00:25:53,519 --> 00:25:54,887 I'M THE MANAGER, 1155 00:25:54,887 --> 00:25:56,088 COMANAGEMENT. 1156 00:25:56,088 --> 00:25:58,290 OH, THIS YOUR MANAGER? 1157 00:25:58,290 --> 00:26:00,392 THE LAST TIME I CHECKED, 1158 00:26:00,392 --> 00:26:01,794 JOSELINE WAS SIGNED TO ME. 1159 00:26:01,794 --> 00:26:02,629 YOU KNOW, AND I'M HEARING OVER 1160 00:26:02,629 --> 00:26:03,663 TWITTER, I'M HEARING OVER 1161 00:26:03,663 --> 00:26:04,831 INSTAGRAM SHE HAVING SHOWS AND 1162 00:26:04,831 --> 00:26:06,065 ALL THAT. 1163 00:26:06,065 --> 00:26:06,899 I DON'T CARE WHAT'S GOING ON. 1164 00:26:06,899 --> 00:26:08,768 I JUST CAME TO COLLECT MY BREAD. 1165 00:26:08,768 --> 00:26:10,269 IF I DON'T GET NO MONEY, 1166 00:26:10,269 --> 00:26:10,937 YOU GOT A PROBLEM. 1167 00:26:10,937 --> 00:26:11,738 WHAT YOU GONNA DO? 1168 00:26:11,738 --> 00:26:12,639 I'M NOT GONNA DO NOTHING TO 1169 00:26:12,639 --> 00:26:13,239 YOU. 1170 00:26:13,239 --> 00:26:14,473 WHAT YOU NEED TO DO IS GO 1171 00:26:14,473 --> 00:26:15,642 MAKE MY LITTLE MAID CLEAN YOUR 1172 00:26:15,642 --> 00:26:16,843 HOUSE, FIND THAT MOTHER[bleep] 1173 00:26:16,843 --> 00:26:18,477 CONTRACT, BRING IT BACK TO ME, 1174 00:26:18,477 --> 00:26:19,879 AND THEN ASK ME FOR 30%, 1175 00:26:19,879 --> 00:26:20,780 'CAUSE I DON'T WANT TO SLAP THE 1176 00:26:20,780 --> 00:26:21,547 [bleep] OUT YOUR ASS. 1177 00:26:21,547 --> 00:26:22,649 DON'T PLAY WITH ME. 1178 00:26:22,649 --> 00:26:23,650 YOU COME UP IN HERE--DON'T COME 1179 00:26:23,650 --> 00:26:24,383 UP IN HERE TRYING TO GET NO 1180 00:26:24,383 --> 00:26:25,051 MONEY FROM ME. 1181 00:26:25,051 --> 00:26:25,952 WHAT THE [bleep] DO YOU THINK 1182 00:26:25,952 --> 00:26:26,653 YOU'RE DOING? 1183 00:26:26,653 --> 00:26:27,654 SORRY, LET'S GO. 1184 00:26:27,654 --> 00:26:28,454 WE DON'T HAVE TIME FOR THIS-- 1185 00:26:28,454 --> 00:26:29,188 I NEED MY MONEY, LADIES. 1186 00:26:29,188 --> 00:26:30,022 STEVIE, WE DON'T HAVE 1187 00:26:30,022 --> 00:26:30,690 ANYTHING. 1188 00:26:30,690 --> 00:26:31,457 SORRY. 1189 00:26:31,457 --> 00:26:32,424 I AIN'T GOT TIME FOR THE 1190 00:26:32,424 --> 00:26:33,525 FOOLISHNESS. 1191 00:26:33,525 --> 00:26:35,061 JOSELINE AND HER TUTU 1192 00:26:35,061 --> 00:26:36,896 SIDEKICK DAWN, SEE, THEY GOT 1193 00:26:36,896 --> 00:26:37,730 THIS THING CONFUSED. 1194 00:26:37,730 --> 00:26:39,165 THERE'S RULES TO THIS HERE. 1195 00:26:39,165 --> 00:26:40,032 YOU KNOW, THERE'S AN ARTIST, 1196 00:26:40,032 --> 00:26:41,033 AND THEN THERE'S A MANAGER. 1197 00:26:41,033 --> 00:26:42,001 AN ARTIST HAS A CONTRACT WITH 1198 00:26:42,001 --> 00:26:43,870 THE MANAGER TO PAY HIM THAT 1199 00:26:43,870 --> 00:26:44,671 BREAD. 1200 00:26:44,671 --> 00:26:45,672 SO IF SHE WANT TO BREAK THE 1201 00:26:45,672 --> 00:26:47,406 RULES AND NOT PAY ME MY CUT, 1202 00:26:47,406 --> 00:26:48,675 THERE'S GONNA BE A PROBLEM. 1203 00:26:48,675 --> 00:26:50,076 HE STRESSES ME OUT. 1204 00:26:50,076 --> 00:26:51,243 ALWAYS COMING UP IN HERE TALKING 1205 00:26:51,243 --> 00:26:52,344 ABOUT SOME [bleep] MONEY. 1206 00:26:52,344 --> 00:26:53,545 HE'S A PIMP. 1207 00:26:53,545 --> 00:26:54,781 "I'M COMING UP IN HERE 1208 00:26:54,781 --> 00:26:55,915 LOOKING LIKE A TURTLE." 1209 00:26:55,915 --> 00:26:57,416 BACK YOUR ASS UP, 'CAUSE FOR 1210 00:26:57,416 --> 00:26:58,450 REAL, DAWN, I'M ABOUT SICK OF 1211 00:26:58,450 --> 00:26:59,151 HIS [bleep]. 1212 00:26:59,151 --> 00:27:00,753 YOU GOT TO BE STRONG. 1213 00:27:00,753 --> 00:27:01,453 GUESS WHAT. 1214 00:27:01,453 --> 00:27:02,689 MY LAWYER TOLD ME I DON'T OWE 1215 00:27:02,689 --> 00:27:04,691 YOU ANY MONEY TILL YOU LET ME 1216 00:27:04,691 --> 00:27:05,291 SEE MY CONTRACT. 1217 00:27:05,291 --> 00:27:05,958 THAT'S TRUE. 1218 00:27:05,958 --> 00:27:07,927 SO GUESS WHAT, UGLY, WE'LL BE 1219 00:27:07,927 --> 00:27:09,028 STILL GETTING THIS CHECK, 1220 00:27:09,028 --> 00:27:10,262 AND [bleep] HIM. 1221 00:27:10,262 --> 00:27:11,197 LET'S GO, 'CAUSE I AIN'T GOT 1222 00:27:11,197 --> 00:27:11,864 TIME FOR HIM. 1223 00:27:11,864 --> 00:27:12,732 FOR SURE. 1224 00:27:12,732 --> 00:27:13,933 [bleep]. 1225 00:27:13,933 --> 00:27:17,136 I'M SICK OF HIM. 1226 00:27:17,136 --> 00:27:18,137 [solemn hip-hop music] 1227 00:27:18,137 --> 00:27:22,842 ♪ 1228 00:27:22,842 --> 00:27:24,877 AFTER I WAXED RASHEEDA AT 1229 00:27:24,877 --> 00:27:27,413 MIMI'S HOME, MIMI CALLS ME AND 1230 00:27:27,413 --> 00:27:28,948 WANTS ME TO MEET HER. 1231 00:27:28,948 --> 00:27:29,615 HEY, POOH. 1232 00:27:29,615 --> 00:27:30,817 EVEN THOUGH RASHEEDA IS A 1233 00:27:30,817 --> 00:27:32,885 HAUNTED WITCH, I STILL DID NOT 1234 00:27:32,885 --> 00:27:35,722 WANT TO DISRESPECT MIMI AT HER 1235 00:27:35,722 --> 00:27:36,823 HOME. 1236 00:27:36,823 --> 00:27:37,724 THAT'S NOT ME. 1237 00:27:37,724 --> 00:27:39,091 AND I WANTED YOU TO COME TODAY 1238 00:27:39,091 --> 00:27:40,592 'CAUSE I JUST WANTED TO SAY 1239 00:27:40,592 --> 00:27:41,728 ONE THING. 1240 00:27:41,728 --> 00:27:43,329 I NEVER WANT TO FEEL LIKE MY 1241 00:27:43,329 --> 00:27:44,731 FRIENDS ARE HURT BY ANY OF MY 1242 00:27:44,731 --> 00:27:46,565 ACTIONS, 'CAUSE I'M VERY BIG ON 1243 00:27:46,565 --> 00:27:47,399 FRIENDSHIP. 1244 00:27:47,399 --> 00:27:49,435 SO I'M SO SORRY. 1245 00:27:49,435 --> 00:27:51,137 FROM THE BOTTOM OF MY HEART, 1246 00:27:51,137 --> 00:27:52,839 I AM SO SORRY. 1247 00:27:52,839 --> 00:27:54,206 THAT'S JUST THE TRUTH. 1248 00:27:54,206 --> 00:27:55,975 AS FAR AS RASHEEDA, I'M NOT 1249 00:27:55,975 --> 00:27:57,309 THERE FOR A SORRY WITH IT. 1250 00:27:57,309 --> 00:27:59,245 OKAY, BUT, K., IT SEEMS LIKE 1251 00:27:59,245 --> 00:28:00,079 THERE'S A PATTERN. 1252 00:28:00,079 --> 00:28:02,982 LIKE, YOU'RE SO ANGRY. 1253 00:28:02,982 --> 00:28:04,650 I GET WHY YOU FEEL THAT. 1254 00:28:04,650 --> 00:28:06,118 I'M JUST NOT LIKE THAT. 1255 00:28:06,118 --> 00:28:07,887 THE LAST TIME I REALLY, REALLY 1256 00:28:07,887 --> 00:28:09,421 TALKED TO RASHEEDA, I SAID, "NO 1257 00:28:09,421 --> 00:28:11,057 MORE TEARS, NO MORE PROBLEMS," 1258 00:28:11,057 --> 00:28:12,024 AND I MEANT IT. 1259 00:28:12,024 --> 00:28:12,759 SO... 1260 00:28:12,759 --> 00:28:13,893 IF I FEEL--IF YOU WANT TO-- 1261 00:28:13,893 --> 00:28:15,862 SO DO YOU THINK THAT YOU 1262 00:28:15,862 --> 00:28:18,765 COULD HAVE A CONVERSATION WITH 1263 00:28:18,765 --> 00:28:19,498 RASHEEDA? 1264 00:28:19,498 --> 00:28:20,867 NEVER. 1265 00:28:20,867 --> 00:28:21,768 NEVER? 1266 00:28:21,768 --> 00:28:25,604 THAT BITCH IS GHOST. 1267 00:28:25,604 --> 00:28:26,773 I'M NOT DOING IT. 1268 00:28:26,773 --> 00:28:28,440 EVEN THOUGH I LOVE MIMI--SHE'S 1269 00:28:28,440 --> 00:28:29,842 ONE OF MY BEST FRIENDS-- 1270 00:28:29,842 --> 00:28:30,943 I DON'T CARE IF I WAS SITTING IN 1271 00:28:30,943 --> 00:28:32,779 CHURCH ON A SUNDAY, I STILL 1272 00:28:32,779 --> 00:28:34,546 WOULDN'T FEEL BAD FOR WAXING 1273 00:28:34,546 --> 00:28:35,581 RASHEEDA. 1274 00:28:35,581 --> 00:28:37,583 SHE GOT WHAT SHE DESERVED. 1275 00:28:37,583 --> 00:28:40,519 THINK THERE'S EVER, EVER A TIME 1276 00:28:40,519 --> 00:28:41,653 WHERE YOU COULD GO GET YOUR 1277 00:28:41,653 --> 00:28:43,022 NAILS DONE WITH JOSELINE? 1278 00:28:43,022 --> 00:28:44,190 [scoffs] 1279 00:28:44,190 --> 00:28:44,857 EVER. 1280 00:28:44,857 --> 00:28:45,925 GET THE [bleep] OUT OF HERE. 1281 00:28:45,925 --> 00:28:46,793 BUT GUESS WHAT. 1282 00:28:46,793 --> 00:28:47,827 WHEN SHE TRY TO COME FOR YOU-- 1283 00:28:47,827 --> 00:28:48,694 LET HER--LET HER TRY. 1284 00:28:48,694 --> 00:28:49,661 LOOK AT YOU. 1285 00:28:49,661 --> 00:28:50,897 "LET HER. LET HER TRY." 1286 00:28:50,897 --> 00:28:51,563 SAME THING. 1287 00:28:51,563 --> 00:28:52,799 WHEN SHE TRY TO COME FOR YOU AND 1288 00:28:52,799 --> 00:28:54,333 RUN UP ON YOU, YOU CAN BE COOL 1289 00:28:54,333 --> 00:28:55,467 AS YOU WANT TO BE, LIKE I WAS IN 1290 00:28:55,467 --> 00:28:56,803 THAT CHAIR, BUT GUESS WHAT. 1291 00:28:56,803 --> 00:28:58,304 WHEN SHE RUNS UP ON YOU, LIKE, 1292 00:28:58,304 --> 00:29:00,206 DROPS HER PURSE AND DO THIS TO 1293 00:29:00,206 --> 00:29:01,808 YOU, I THINK THAT'S WHEN WE 1294 00:29:01,808 --> 00:29:03,175 GONNA SEE THE REAL MIMI, WHEN 1295 00:29:03,175 --> 00:29:04,811 SHE RUNS UP IN YOUR FACE, AND 1296 00:29:04,811 --> 00:29:06,278 THAT'S WHAT HAS HAPPENED. 1297 00:29:06,278 --> 00:29:09,882 I SEE HERE NOW THAT YOU ARE 1298 00:29:09,882 --> 00:29:11,717 A VERY HEADSTRONG WOMAN. 1299 00:29:11,717 --> 00:29:12,451 ABOUT WHAT I BELIEVE IN. 1300 00:29:12,451 --> 00:29:13,552 ABOUT WHAT YOU BELIEVE IN. 1301 00:29:13,552 --> 00:29:14,320 I UNDERSTAND. 1302 00:29:14,320 --> 00:29:15,421 WHAT I BELIEVE IN AND WHO I 1303 00:29:15,421 --> 00:29:16,188 LOVE. 1304 00:29:16,188 --> 00:29:17,323 I GET THAT. 1305 00:29:17,323 --> 00:29:19,826 WE GONNA HAVE TO LEARN AND MAKE 1306 00:29:19,826 --> 00:29:21,828 OTHER DECISIONS ON HOW WE HANDLE 1307 00:29:21,828 --> 00:29:23,295 OUR SITUATIONS. 1308 00:29:23,295 --> 00:29:24,931 TWO THINGS THAT I LEARNED: 1309 00:29:24,931 --> 00:29:26,665 DON'T HURT YOUR FRIEND, EVEN IF 1310 00:29:26,665 --> 00:29:27,867 SOMEBODY IS DOING SOMETHING-- 1311 00:29:27,867 --> 00:29:29,735 AND DON'T YOU EVER IN YOUR 1312 00:29:29,735 --> 00:29:32,504 LIFE--I DON'T GIVE A DAMN WHO 1313 00:29:32,504 --> 00:29:34,306 COME IN THAT GODDAMN DOOR-- 1314 00:29:34,306 --> 00:29:35,641 DISRESPECT MY [bleep] HOUSE 1315 00:29:35,641 --> 00:29:36,308 LIKE THAT. 1316 00:29:36,308 --> 00:29:37,043 CAN I HAVE A KISS? 1317 00:29:37,043 --> 00:29:37,709 HOLD UP. 1318 00:29:37,709 --> 00:29:38,444 OKAY. 1319 00:29:38,444 --> 00:29:39,846 I MOVED THERE TO GET AWAY 1320 00:29:39,846 --> 00:29:41,647 FROM THAT CRAZY-ASS [bleep]. 1321 00:29:41,647 --> 00:29:42,614 BUT I TOLD YOU, DON'T BRING 1322 00:29:42,614 --> 00:29:43,749 GWENDOLYN THE GOOD WITCH IN THE 1323 00:29:43,749 --> 00:29:44,450 HOUSE. 1324 00:29:44,450 --> 00:29:45,451 QUIT PLAYING. 1325 00:29:45,451 --> 00:29:46,853 I DON'T GIVE A DAMN. 1326 00:29:46,853 --> 00:29:47,954 I LOVE YOU. 1327 00:29:47,954 --> 00:29:48,654 GIVE ME A HUG. 1328 00:29:48,654 --> 00:29:50,756 AND I THANK YOU. 1329 00:29:50,756 --> 00:29:52,124 NO, FOR REAL, THANK YOU. 1330 00:29:52,124 --> 00:29:53,225 LIKE, THANK YOU. 1331 00:29:53,225 --> 00:29:55,194 NO EXCUSES OVER HERE. 1332 00:29:55,194 --> 00:29:57,897 I AM SO SORRY. 1333 00:30:00,532 --> 00:30:01,901 WHAT'S GOING ON WITH BENZINO? 1334 00:30:01,901 --> 00:30:02,668 YOU KNOW HE TOLD ME HE 1335 00:30:02,668 --> 00:30:03,402 [bleep] YOU. 1336 00:30:03,402 --> 00:30:04,103 ARE YOU SERIOUS? 1337 00:30:04,103 --> 00:30:05,371 YOU'LL POP OUT, BUT YOU WON'T 1338 00:30:05,371 --> 00:30:06,205 JUMP OUT. 1339 00:30:06,205 --> 00:30:09,308 [all shouting indistinctly] 1340 00:30:09,308 --> 00:30:09,976 HEY, MAN, COME ON. 1341 00:30:09,976 --> 00:30:11,978 GET OUT OF MY FACE, MAN. 1342 00:30:16,248 --> 00:30:17,249 [upbeat music] 1343 00:30:17,249 --> 00:30:18,350 ♪ 1344 00:30:18,350 --> 00:30:20,352 [geese honking] 1345 00:30:24,756 --> 00:30:25,958 BITCH, I'M SO GLAD YOU CAME 1346 00:30:25,958 --> 00:30:27,493 AND TOOK THIS WALK WITH ME. 1347 00:30:27,493 --> 00:30:29,028 I GET SO STRESSED. 1348 00:30:29,028 --> 00:30:30,229 UGH. 1349 00:30:30,229 --> 00:30:31,097 YOU LOOK GOOD, BITCH. 1350 00:30:31,097 --> 00:30:31,763 OH, THANK YOU. 1351 00:30:31,763 --> 00:30:32,431 THAT'S YOU. 1352 00:30:32,431 --> 00:30:34,166 LOOK AT YOU. 1353 00:30:34,166 --> 00:30:35,134 SO, YOU KNOW, IT'S BEEN A MINUTE 1354 00:30:35,134 --> 00:30:36,903 SINCE I HUNG OUT WITH OLD 1355 00:30:36,903 --> 00:30:38,670 KARLIE REDD, AND I NEEDED TO 1356 00:30:38,670 --> 00:30:40,772 TALK TO SOMEBODY ABOUT STEVIE, 1357 00:30:40,772 --> 00:30:42,008 AND I KNOW SHE LIKE TO GOSSIP 1358 00:30:42,008 --> 00:30:43,242 WITH HER OLD ASS, SO I'M LIKE, 1359 00:30:43,242 --> 00:30:43,910 "YOU KNOW WHAT? 1360 00:30:43,910 --> 00:30:44,776 LET ME CALL HER UP. 1361 00:30:44,776 --> 00:30:45,978 MAYBE SHE COULD TELL ME SOME 1362 00:30:45,978 --> 00:30:46,712 GOOD ADVICE." 1363 00:30:46,712 --> 00:30:47,713 I DON'T KNOW. 1364 00:30:47,713 --> 00:30:48,680 IT'S THE SAME OLD STORY WITH 1365 00:30:48,680 --> 00:30:49,348 STEVIE. 1366 00:30:49,348 --> 00:30:51,050 I'M JUST SO STRESSED OUT ABOUT 1367 00:30:51,050 --> 00:30:53,519 HOW ALL HIS [bleep] CONTROLLING 1368 00:30:53,519 --> 00:30:54,753 WAYS, GIRL. 1369 00:30:54,753 --> 00:30:56,022 EVERYTHING REVOLVES AROUND 1370 00:30:56,022 --> 00:30:56,722 STEVIE. 1371 00:30:56,722 --> 00:30:57,523 SO, WAIT, HE STILL MANAGE 1372 00:30:57,523 --> 00:30:58,224 YOU? 1373 00:30:58,224 --> 00:30:59,291 BITCH, I CAN'T--I DON'T 1374 00:30:59,291 --> 00:30:59,992 HAVE-- 1375 00:30:59,992 --> 00:31:00,659 YOU CAN'T SHAKE HIM. 1376 00:31:00,659 --> 00:31:01,460 WHAT THE [bleep] AM I GONNA 1377 00:31:01,460 --> 00:31:02,228 DO? 1378 00:31:02,228 --> 00:31:02,962 I DON'T HAVE THE CONTRACT. 1379 00:31:02,962 --> 00:31:03,930 I WANT TO TAKE CONTROL OF MY-- 1380 00:31:03,930 --> 00:31:04,931 WHERE THE CONTRACT? 1381 00:31:04,931 --> 00:31:05,965 HE GOT IT. 1382 00:31:05,965 --> 00:31:07,566 HE WANTS TO CONTROL EVERYTHING. 1383 00:31:07,566 --> 00:31:08,300 EVERYTHING GOT TO-- 1384 00:31:08,300 --> 00:31:09,601 IS HE EVEN PRODUCING MUSIC? 1385 00:31:09,601 --> 00:31:10,937 HE'S SO TALENTED. 1386 00:31:10,937 --> 00:31:12,038 MOST OF THE TALENTED PEOPLE 1387 00:31:12,038 --> 00:31:12,939 BE CRAZY. 1388 00:31:12,939 --> 00:31:13,705 TELL ME ABOUT IT. 1389 00:31:13,705 --> 00:31:15,307 BENZINO: NUMBER ONE. 1390 00:31:15,307 --> 00:31:17,076 WHAT'S GOING ON WITH BENZINO? 1391 00:31:17,076 --> 00:31:20,279 GIRL, HE WANTS TO STILL DATE. 1392 00:31:20,279 --> 00:31:21,948 AND YOU KNOW HE WANT TO [bleep]. 1393 00:31:21,948 --> 00:31:22,949 'CAUSE, YOU KNOW, I'VE GOT SOME 1394 00:31:22,949 --> 00:31:23,983 GOOD STUFF DOWN HERE. 1395 00:31:23,983 --> 00:31:24,951 YOU GOT RUBIES DOWN THERE. 1396 00:31:24,951 --> 00:31:26,285 MM, DIAMONDS. 1397 00:31:26,285 --> 00:31:27,253 OH, I GOT RUBIES. 1398 00:31:27,253 --> 00:31:28,387 I GOT DIAMONDS. 1399 00:31:28,387 --> 00:31:29,188 SO HE WANTS TO GET THAT 1400 00:31:29,188 --> 00:31:29,956 CUDI CAT. 1401 00:31:29,956 --> 00:31:30,957 OH, YEAH, BUT HE AIN'T 1402 00:31:30,957 --> 00:31:31,623 GETTING THAT, NO. 1403 00:31:31,623 --> 00:31:32,458 'CAUSE HE NOT EVEN CUTTING 1404 00:31:32,458 --> 00:31:33,125 NO CHECKS, THOUGH. 1405 00:31:33,125 --> 00:31:33,792 HOLD UP. 1406 00:31:33,792 --> 00:31:34,493 YOU KNOW HE TOLD ME HE 1407 00:31:34,493 --> 00:31:35,727 [bleep] YOU. 1408 00:31:35,727 --> 00:31:37,096 ARE YOU SERIOUS? 1409 00:31:37,096 --> 00:31:37,997 ON... 1410 00:31:37,997 --> 00:31:38,730 ARE YOU SERIOUS? 1411 00:31:38,730 --> 00:31:40,232 ON EVERYTHING I LOVE. 1412 00:31:40,232 --> 00:31:41,133 FIRST OF ALL, WHY WOULD I 1413 00:31:41,133 --> 00:31:42,301 SMASH SOMEBODY THAT AIN'T GOT NO 1414 00:31:42,301 --> 00:31:43,402 NECK? 1415 00:31:43,402 --> 00:31:44,203 I NEED A NECK. 1416 00:31:44,203 --> 00:31:46,272 I NEED TO LICK ON YOUR NECK. 1417 00:31:46,272 --> 00:31:47,473 I NEED ME A TALL BEAST. 1418 00:31:47,473 --> 00:31:49,108 I NEED ME A STRONG--I'M A BIG 1419 00:31:49,108 --> 00:31:49,808 GIRL. 1420 00:31:49,808 --> 00:31:51,610 I GOT BIG BOOBS, BIG BUTT. 1421 00:31:51,610 --> 00:31:52,478 I CAN'T DO NOTHING WITH NO SHORT 1422 00:31:52,478 --> 00:31:53,579 MAN. 1423 00:31:53,579 --> 00:31:54,646 I'D JUST MET BENZINO WHEN I MET 1424 00:31:54,646 --> 00:31:55,781 STEVIE. 1425 00:31:55,781 --> 00:31:56,448 HE'S LYING. 1426 00:31:56,448 --> 00:31:57,116 BUT LISTEN. 1427 00:31:57,116 --> 00:31:58,450 HE HIT ME ON THE D.M. ON 1428 00:31:58,450 --> 00:31:59,151 TWITTER--JAWS. 1429 00:31:59,151 --> 00:32:00,586 6:00 IN THE MORNING. 1430 00:32:00,586 --> 00:32:01,320 I WANTED TO ASK YOU ABOUT 1431 00:32:01,320 --> 00:32:02,054 THAT. 1432 00:32:02,054 --> 00:32:02,854 I'M LIKE, "WHY DIDN'T SHE"-- 1433 00:32:02,854 --> 00:32:03,622 BITCH, LET ME TELL YOU 1434 00:32:03,622 --> 00:32:04,290 SOMETHING-- 1435 00:32:04,290 --> 00:32:05,024 YOU KNOW WHAT HE DID? 1436 00:32:05,024 --> 00:32:06,325 LIKE, A WHILE AGO, HE WAS-- 1437 00:32:06,325 --> 00:32:07,826 LIKE, HE SHOWED ME SOME PORN OR 1438 00:32:07,826 --> 00:32:08,760 SOMETHING, YOU KNOW, WHAT YOU'RE 1439 00:32:08,760 --> 00:32:09,661 DO WHEN YOU'RE FEELING YOURSELF 1440 00:32:09,661 --> 00:32:10,362 OR WHATEVER. 1441 00:32:10,362 --> 00:32:11,197 HE WAS LIKE, "YEAH, I HIT THAT. 1442 00:32:11,197 --> 00:32:12,131 I HIT THAT." 1443 00:32:12,131 --> 00:32:13,632 AND I'M LIKE, "OH, FOR REAL?" 1444 00:32:13,632 --> 00:32:14,400 NOW, THAT'S A LIE. 1445 00:32:14,400 --> 00:32:15,601 IF YOU WANT TO GO AHEAD IN THERE 1446 00:32:15,601 --> 00:32:16,435 AND LIE ON MY [bleep], DO WHAT 1447 00:32:16,435 --> 00:32:17,136 YOU DO. 1448 00:32:17,136 --> 00:32:18,270 I DON'T--I DON'T HAVE TIME FOR 1449 00:32:18,270 --> 00:32:19,271 ALL THAT [bleep]. 1450 00:32:19,271 --> 00:32:20,239 BENZINO, YOU WOULDN'T--YOU DON'T 1451 00:32:20,239 --> 00:32:20,906 HAVE ENOUGH MONEY TO 1452 00:32:20,906 --> 00:32:21,573 [bleep] WITH ME. 1453 00:32:21,573 --> 00:32:22,374 YOU DON'T HAVE ENOUGH MONEY. 1454 00:32:22,374 --> 00:32:23,042 THAT'S A MESSY-ASS-- 1455 00:32:23,042 --> 00:32:25,444 THAT'S A MESSY-ASS [bleep]. 1456 00:32:25,444 --> 00:32:26,145 THAT'S RIGHT. 1457 00:32:26,145 --> 00:32:27,779 [laughs] 1458 00:32:27,779 --> 00:32:29,115 GIRL, I MISS YOU. 1459 00:32:29,115 --> 00:32:30,282 I MISS YOU TOO, BITCH. 1460 00:32:30,282 --> 00:32:31,217 [laughs] 1461 00:32:31,217 --> 00:32:32,218 [vibrant hip-hop music] 1462 00:32:32,218 --> 00:32:36,288 ♪ 1463 00:32:36,288 --> 00:32:38,457 [doorbell rings] 1464 00:32:41,127 --> 00:32:42,028 HOW Y'ALL LOVELY LADIES 1465 00:32:42,028 --> 00:32:42,761 DOING? 1466 00:32:42,761 --> 00:32:43,862 FINE. HOW ARE YOU? 1467 00:32:43,862 --> 00:32:45,097 I'M DOING GOOD. 1468 00:32:45,097 --> 00:32:46,332 HEY, MAN, TONIGHT WE GONNA SIT 1469 00:32:46,332 --> 00:32:47,666 DOWN AND HAVE A LITTLE DINNER 1470 00:32:47,666 --> 00:32:49,335 WITH BOTH OF OUR PARENTS, SO WE 1471 00:32:49,335 --> 00:32:51,403 CAN EASE SOME THINGS OUT, WORK 1472 00:32:51,403 --> 00:32:52,604 SOME THINGS OUT, PUT EVERYTHING 1473 00:32:52,604 --> 00:32:54,140 ON THE TABLE, NIP ALL THIS CRAZY 1474 00:32:54,140 --> 00:32:55,607 [bleep] IN THE BUTT. 1475 00:32:55,607 --> 00:32:57,743 I THINK WE SHOULD PRAY 1476 00:32:57,743 --> 00:32:59,678 BEFORE WE DO THIS WITH YOU. 1477 00:32:59,678 --> 00:33:00,746 OH, ABSOLUTELY. 1478 00:33:00,746 --> 00:33:02,248 FATHER, RIGHT NOW, IN JESUS' 1479 00:33:02,248 --> 00:33:03,715 NAME, WE THANK YOU, AND WE COME 1480 00:33:03,715 --> 00:33:05,184 TO YOU, AND WE APPRECIATE YOU 1481 00:33:05,184 --> 00:33:06,618 BRINGING US ALL HERE TOGETHER. 1482 00:33:06,618 --> 00:33:08,320 WE THANK YOU FOR LETTING US SEE 1483 00:33:08,320 --> 00:33:09,788 THIS DAY, AND WE THANK YOU FOR 1484 00:33:09,788 --> 00:33:11,357 THE LOVE AND RESPECT THAT WE 1485 00:33:11,357 --> 00:33:12,291 FI'IN' TO DO RIGHT NOW. 1486 00:33:12,291 --> 00:33:13,592 IN JESUS' NAME, WE LOVE YOU, 1487 00:33:13,592 --> 00:33:14,360 AND WE PRIZ-NAY-EE-- 1488 00:33:14,360 --> 00:33:15,727 LORD, TOUCH ALL OF US 1489 00:33:15,727 --> 00:33:17,496 AS WE HAVE THIS MEETING. 1490 00:33:17,496 --> 00:33:19,431 SHA-LA-LA, LA-LA-LA-LA. 1491 00:33:19,431 --> 00:33:20,132 MM. 1492 00:33:20,132 --> 00:33:21,333 AMEN. 1493 00:33:21,333 --> 00:33:22,701 WELL, NOW THAT WE'VE GOT THAT 1494 00:33:22,701 --> 00:33:24,170 ALL TAKEN CARE OF... 1495 00:33:24,170 --> 00:33:25,104 I'M GONNA FIX THE PLATES. 1496 00:33:25,104 --> 00:33:25,937 PLEASE. 1497 00:33:25,937 --> 00:33:26,838 AND WE CAN GET THINGS 1498 00:33:26,838 --> 00:33:28,074 STARTED, YOU KNOW. 1499 00:33:28,074 --> 00:33:30,409 SO THEY COME, AND I'M JUST LIKE, 1500 00:33:30,409 --> 00:33:32,911 "LORD, GIVE ME STRENGTH, LIKE-- 1501 00:33:32,911 --> 00:33:34,680 PLEASE LET THIS JUST GO IN THE 1502 00:33:34,680 --> 00:33:35,714 RIGHT DIRECTION." 1503 00:33:35,714 --> 00:33:36,882 I'M TRYING TO MARRY THIS 1504 00:33:36,882 --> 00:33:37,783 YOUNG LADY RIGHT HERE, 1505 00:33:37,783 --> 00:33:39,651 AND I JUST SEE A LOT OF 1506 00:33:39,651 --> 00:33:41,087 NEGATIVITY... 1507 00:33:41,087 --> 00:33:41,953 YOU KNOW WHAT I'M SAYING? 1508 00:33:41,953 --> 00:33:42,688 COMING. 1509 00:33:42,688 --> 00:33:43,589 WHAT DO YOU THINK IS NEGATIVE 1510 00:33:43,589 --> 00:33:44,690 COMING FROM ME? 1511 00:33:44,690 --> 00:33:47,326 THE "I DON'T BELIEVE" THEORY. 1512 00:33:47,326 --> 00:33:48,094 YOU KNOW WHAT I'M SAYING? 1513 00:33:48,094 --> 00:33:48,760 BUT THAT'S MY OPINION. 1514 00:33:48,760 --> 00:33:49,628 THAT DON'T MEAN THAT IT'S 1515 00:33:49,628 --> 00:33:50,296 NEGATIVE. 1516 00:33:50,296 --> 00:33:51,097 BUT SHE HAS A RIGHT TO IT. 1517 00:33:51,097 --> 00:33:51,863 THAT'S MY OPINION. 1518 00:33:51,863 --> 00:33:53,632 I'M LIKE THIS: IF YOU LOVE ERICA 1519 00:33:53,632 --> 00:33:54,466 THE WAY YOU SAY YOU DO, AND 1520 00:33:54,466 --> 00:33:56,235 ERICA LOVES YOU THE WAY SHE SAY 1521 00:33:56,235 --> 00:33:58,204 SHE DO, THEN GET MARRIED. 1522 00:33:58,204 --> 00:33:58,870 MM-HMM. 1523 00:33:58,870 --> 00:33:59,905 THAT'S HOW I FEEL. 1524 00:33:59,905 --> 00:34:01,273 BUT HALF OF ME DOESN'T BELIEVE, 1525 00:34:01,273 --> 00:34:02,608 BECAUSE OF WHAT I'VE SEEN FROM 1526 00:34:02,608 --> 00:34:03,709 YOU. 1527 00:34:03,709 --> 00:34:05,211 AND WHAT HAVE YOU SEEN? 1528 00:34:05,211 --> 00:34:07,579 I'VE SEEN THE BREAKUPS. 1529 00:34:07,579 --> 00:34:08,714 I'VE SEEN THE OTHER WOMEN. 1530 00:34:08,714 --> 00:34:10,149 I'VE SEEN THE CHEATING. 1531 00:34:10,149 --> 00:34:12,284 SHE NEVER TOLD YOU THE 1532 00:34:12,284 --> 00:34:13,719 POSITIVE STUFF? 1533 00:34:13,719 --> 00:34:14,653 RECENTLY. RECENTLY. 1534 00:34:14,653 --> 00:34:15,587 RECENTLY? 1535 00:34:15,587 --> 00:34:17,923 BABE, JUST COME TALK. 1536 00:34:17,923 --> 00:34:18,624 COME TALK WITH US. 1537 00:34:18,624 --> 00:34:19,291 I'M COMING. 1538 00:34:19,291 --> 00:34:20,526 COME TALK WITH US. 1539 00:34:20,526 --> 00:34:22,027 I KNOW I MESSED UP IN THE PAST, 1540 00:34:22,027 --> 00:34:23,595 BUT, YOU KNOW, I DON'T REALLY 1541 00:34:23,595 --> 00:34:26,365 LIKE HOW ERICA'S MAMA, MIGNON, 1542 00:34:26,365 --> 00:34:29,034 IS REALLY, LIKE, PISSING ON MY 1543 00:34:29,034 --> 00:34:30,902 PIZZ-NAY-EE--MY PAST. 1544 00:34:30,902 --> 00:34:32,037 LIKE SHE AIN'T GOT NOTHING IN 1545 00:34:32,037 --> 00:34:32,871 HER CLOSET. 1546 00:34:32,871 --> 00:34:35,040 WHAT I DON'T LIKE IS LEAVING THE 1547 00:34:35,040 --> 00:34:36,308 GOOD PART OUT ABOUT ME. 1548 00:34:36,308 --> 00:34:36,975 YOU FEEL ME? 1549 00:34:36,975 --> 00:34:38,444 WELL, I KNOW--LISTEN, AS YOUR 1550 00:34:38,444 --> 00:34:39,545 MOTHER, LET ME SAY THIS-- 1551 00:34:39,545 --> 00:34:40,712 LOOK HOW MANY TIMES YOUR 1552 00:34:40,712 --> 00:34:42,248 MOTHER'S DISRESPECTED ME 1553 00:34:42,248 --> 00:34:42,914 AND CONTINUES. 1554 00:34:42,914 --> 00:34:43,782 I'M STILL THAT BITCH. 1555 00:34:43,782 --> 00:34:45,050 AND I'M A BIGGER BITCH. 1556 00:34:45,050 --> 00:34:46,618 I'M A BIGGER BITCH. 1557 00:34:46,618 --> 00:34:47,286 BUT LET ME SAY THIS-- 1558 00:34:47,286 --> 00:34:48,587 SHE DON'T KNOW. 1559 00:34:48,587 --> 00:34:50,055 SHE DON'T KNOW HER PLACE, AND 1560 00:34:50,055 --> 00:34:51,657 THAT'S WHERE THE ERROR IS RIGHT 1561 00:34:51,657 --> 00:34:52,458 NOW. 1562 00:34:52,458 --> 00:34:53,159 WHOA, WHOA, WHOA. 1563 00:34:53,159 --> 00:34:54,426 LISTEN... 1564 00:34:54,426 --> 00:34:55,761 WHOA, WHOA, BOO-BOO. 1565 00:34:55,761 --> 00:34:57,229 YEAH, WHAT? 1566 00:34:57,229 --> 00:34:58,964 HOW IN THE HELL IS SCRAPPY 1567 00:34:58,964 --> 00:35:00,532 OFFENDED ABOUT MY MOM NOT 1568 00:35:00,532 --> 00:35:02,468 BELIEVING IN OUR LOVE WHEN YOUR 1569 00:35:02,468 --> 00:35:03,702 MAMA, ON THE OTHER HAND, IS 1570 00:35:03,702 --> 00:35:05,404 ALWAYS DISRESPECTFUL AND CALLING 1571 00:35:05,404 --> 00:35:06,205 ME A BITCH? 1572 00:35:06,205 --> 00:35:07,873 I'VE DONE NOTHING BUT LOVE 1573 00:35:07,873 --> 00:35:09,741 AND SUPPORT SCRAPPY BY PUTTING 1574 00:35:09,741 --> 00:35:10,942 UP WITH HER BULL[bleep]. 1575 00:35:10,942 --> 00:35:12,043 BUT ENOUGH IS ENOUGH. 1576 00:35:12,043 --> 00:35:13,645 WE ARE HERE, BUT SINCE YOU'RE 1577 00:35:13,645 --> 00:35:15,947 TRYING TO GO IN ON ME, WE'RE-- 1578 00:35:15,947 --> 00:35:16,882 THAT'S RIGHT, 'CAUSE I WAS 1579 00:35:16,882 --> 00:35:17,649 BEING RESPECTFUL. 1580 00:35:17,649 --> 00:35:18,750 I WAS BEING RESPECTFUL. 1581 00:35:18,750 --> 00:35:19,785 I'M BEING RESPECTFUL TOO. 1582 00:35:19,785 --> 00:35:20,619 NO, YOU TRYING TO GO TOWARDS 1583 00:35:20,619 --> 00:35:21,353 HER. 1584 00:35:21,353 --> 00:35:22,188 HAS MY MAMA CALLED YOU 1585 00:35:22,188 --> 00:35:24,356 A [bleep], A [bleep] [bleep]? 1586 00:35:24,356 --> 00:35:25,191 HAS SHE CALLED YOU ANYTHING 1587 00:35:25,191 --> 00:35:25,824 BUT YOUR NAME? 1588 00:35:25,824 --> 00:35:27,193 NO. 1589 00:35:27,193 --> 00:35:27,926 HOW MANY TIMES HAS SHE 1590 00:35:27,926 --> 00:35:28,594 DISRESPECTED ME? 1591 00:35:28,594 --> 00:35:29,661 HOW MANY TIMES HAS SHE CALLED ME 1592 00:35:29,661 --> 00:35:30,396 A BITCH? 1593 00:35:30,396 --> 00:35:31,062 HUH? 1594 00:35:31,062 --> 00:35:31,997 HOW MANY TIMES? 1595 00:35:31,997 --> 00:35:33,799 AND ONE TIME DID YOU SAY, "WAIT, 1596 00:35:33,799 --> 00:35:36,368 MA, DON'T CALL HER A BITCH"? 1597 00:35:36,368 --> 00:35:38,570 YOU WOULD RESPECT IT IF I GO 1598 00:35:38,570 --> 00:35:39,671 OFF ON MY MA. 1599 00:35:39,671 --> 00:35:40,706 I DON'T EVEN WANT YOU TO GO 1600 00:35:40,706 --> 00:35:41,973 OFF ON HER, BECAUSE-- 1601 00:35:41,973 --> 00:35:43,842 MA, AT THE END OF THE DAY, 1602 00:35:43,842 --> 00:35:46,545 DON'T CALL MY WIFEY NO BITCH. 1603 00:35:46,545 --> 00:35:47,246 YOU FEEL ME? 1604 00:35:47,246 --> 00:35:47,946 AND THAT'S JUST REAL. 1605 00:35:47,946 --> 00:35:48,614 UNDERSTOOD. 1606 00:35:48,614 --> 00:35:49,881 NO, THAT'S JUST REAL. 1607 00:35:49,881 --> 00:35:51,383 GOT YOU. 1608 00:35:51,383 --> 00:35:52,784 NOW, BACK TO THE WHOLE 1609 00:35:52,784 --> 00:35:54,453 SITUATION AT HAND. 1610 00:35:54,453 --> 00:35:55,954 YOU KNOW WHAT I'M SAYING? 1611 00:35:55,954 --> 00:35:57,889 IF WE MOTHER[bleep]--ALL US 1612 00:35:57,889 --> 00:35:58,990 MOTHER[bleep] WANT TO BE 1613 00:35:58,990 --> 00:36:00,359 DISRESPECTFUL-- 1614 00:36:00,359 --> 00:36:01,092 FIRST OF ALL-- 1615 00:36:01,092 --> 00:36:01,960 I'M NOT A MOTHER[bleep], AND 1616 00:36:01,960 --> 00:36:02,794 I WOULD NEVER BE YOUR 1617 00:36:02,794 --> 00:36:04,230 MOTHER[bleep], SO-- 1618 00:36:04,230 --> 00:36:05,030 YOU JUST CALLED HIM A [bleep] 1619 00:36:05,030 --> 00:36:05,831 BITCH. 1620 00:36:05,831 --> 00:36:06,565 FIVE OR TEN MINUTES GO, YOU 1621 00:36:06,565 --> 00:36:07,233 CALLED HIM A BITCH. 1622 00:36:07,233 --> 00:36:08,400 NO, I SAID, "IF MY MAMA." 1623 00:36:08,400 --> 00:36:09,268 IF YOU WOULD BE QUIET AND 1624 00:36:09,268 --> 00:36:09,935 LISTEN-- 1625 00:36:09,935 --> 00:36:11,237 DON'T TELL ME TO [bleep] BE 1626 00:36:11,237 --> 00:36:11,937 QUIET. 1627 00:36:11,937 --> 00:36:14,105 WHO ARE YOU TO TELL ME TO BE 1628 00:36:14,105 --> 00:36:15,140 QUIET? 1629 00:36:15,140 --> 00:36:17,243 SHUT YOUR GODDAMN MOUTH. 1630 00:36:17,243 --> 00:36:18,977 IF I WAS DRACULA, I WOULD SINK 1631 00:36:18,977 --> 00:36:20,579 MY FANGS IN YOUR [bleep] 1632 00:36:20,579 --> 00:36:22,248 CAROTID ARTERY AND DRAIN YOU FOR 1633 00:36:22,248 --> 00:36:23,349 ALL OF IT, BITCH. 1634 00:36:23,349 --> 00:36:25,384 [shouting indistinctly] 1635 00:36:25,384 --> 00:36:28,254 SEE. SEE, MIMI. 1636 00:36:28,254 --> 00:36:29,120 SEE, MIMI. SIT DOWN. 1637 00:36:29,120 --> 00:36:30,121 NO, I'M GONNA BE POPPIN' 1638 00:36:30,121 --> 00:36:31,557 YOU POP OUT IF YOU WANT. 1639 00:36:31,557 --> 00:36:32,258 JUMP OFF! 1640 00:36:32,258 --> 00:36:33,392 WHO GONNA JUMP OFF? 1641 00:36:33,392 --> 00:36:35,093 [all arguing] 1642 00:36:35,093 --> 00:36:35,927 HEY, MAN, COME ON. 1643 00:36:35,927 --> 00:36:36,862 GET OUT OF MY FACE, MAN. 1644 00:36:36,862 --> 00:36:37,696 STOP! 1645 00:36:37,696 --> 00:36:39,765 WHOA, WHOA, WHOA, WHOA. 1646 00:36:39,765 --> 00:36:41,267 SHUT THE [bleep] UP. 1647 00:36:41,267 --> 00:36:42,100 GET IN THE CAR. 1648 00:36:42,100 --> 00:36:45,771 GO GET IN THE CAR. 1649 00:36:45,771 --> 00:36:46,605 I DONE PUT UP WITH THIS 1650 00:36:46,605 --> 00:36:47,606 [bleep] FOR TOO MOTHER[bleep] 1651 00:36:47,606 --> 00:36:48,374 LONG. 1652 00:36:48,374 --> 00:36:50,942 I'VE HAD YEARS OF DISRESPECT 1653 00:36:50,942 --> 00:36:51,843 FROM MOMMA DEE. 1654 00:36:51,843 --> 00:36:54,079 SHE WILL NOT BE IN MY HOME 1655 00:36:54,079 --> 00:36:56,014 SITTING AT MY TABLE AND CONTINUE 1656 00:36:56,014 --> 00:36:57,849 TO DISRESPECT ME LIKE THAT. 1657 00:36:57,849 --> 00:36:58,617 GOOD-BYE. 1658 00:36:58,617 --> 00:36:59,485 YOU MIGHT AS WELL--YEAH, YOU 1659 00:36:59,485 --> 00:37:00,319 MIGHT AS WELL TAKE THAT RING 1660 00:37:00,319 --> 00:37:01,119 OFF. 1661 00:37:01,119 --> 00:37:03,389 I DON'T GIVE A [bleep]. 1662 00:37:03,389 --> 00:37:04,556 TAKE THAT RING. 1663 00:37:04,556 --> 00:37:07,459 TAKE THAT RING OFF. 1664 00:37:07,459 --> 00:37:09,361 NO, MY SON BY HISSELF, MAN. 1665 00:37:09,361 --> 00:37:10,896 MY SON BY HISSELF. 1666 00:37:10,896 --> 00:37:12,764 ALL THIS [bleep] UP. 1667 00:37:12,764 --> 00:37:13,832 I'D NEVER BELIEVE IT-- 1668 00:37:13,832 --> 00:37:16,702 LET ME GO. 1669 00:37:16,702 --> 00:37:18,404 GET THE [bleep] OUT MY HOUSE. 1670 00:37:18,404 --> 00:37:20,038 TAKE HER OUT MY HOUSE. 1671 00:37:20,038 --> 00:37:21,106 MAN, I DONE TRIED TO DO 1672 00:37:21,106 --> 00:37:22,574 EVERYTHING IN THE WORLD, MAN, 1673 00:37:22,574 --> 00:37:23,709 TRYING TO MAKE THIS THING COME 1674 00:37:23,709 --> 00:37:24,743 TOGETHER. 1675 00:37:24,743 --> 00:37:26,011 IT'S THE LAST TIME I'M GONNA LET 1676 00:37:26,011 --> 00:37:27,579 ERICA DISRESPECT MY MOM OR I'M 1677 00:37:27,579 --> 00:37:28,914 GONNA LET MY MA DISRESPECT 1678 00:37:28,914 --> 00:37:29,781 ERICA. 1679 00:37:29,781 --> 00:37:31,317 EVERYTHING WAS COOL, BUT ERICA 1680 00:37:31,317 --> 00:37:31,983 GET OUT OF HAND. 1681 00:37:31,983 --> 00:37:32,751 YOU FEEL ME? 1682 00:37:32,751 --> 00:37:33,719 LIKE, I'M COOL ON THE EXTRAS. 1683 00:37:33,719 --> 00:37:34,486 YOU KNOW WHAT I'M SAYING? 1684 00:37:34,486 --> 00:37:35,787 I DON'T NEED THE EXTRAS. 1685 00:37:35,787 --> 00:37:37,723 LET ME GET BY YOU, HOMEY. 1686 00:37:37,723 --> 00:37:38,457 EXCUSE ME. 1687 00:37:38,457 --> 00:37:39,691 NOW WE'RE JUST HANGING OUT. 1688 00:37:39,691 --> 00:37:41,159 THE BITCH FI'IN' TO GO WITH HIS 1689 00:37:41,159 --> 00:37:42,193 MAMA. 1690 00:37:42,193 --> 00:37:44,630 YOU A [bleep]. 1691 00:37:44,630 --> 00:37:45,331 WHAT YOU TALKING ABOUT? 1692 00:37:45,331 --> 00:37:46,064 YOU A BITCH. 1693 00:37:46,064 --> 00:37:46,965 THAT'S WHY YOU AIN'T GOT NOWHERE 1694 00:37:46,965 --> 00:37:47,633 TO STAY. 1695 00:37:47,633 --> 00:37:48,534 YOU'RE BROKE, BITCH. 1696 00:37:48,534 --> 00:37:49,468 "BROKE, BITCH"? 1697 00:37:49,468 --> 00:37:50,869 YOU WOULDN'T EVEN HAVE NOTHING 1698 00:37:50,869 --> 00:37:52,338 IF IT WEREN'T FOR ME. 1699 00:37:52,338 --> 00:37:53,905 THEN BE REAL WITH YOUR MAMA. 1700 00:37:53,905 --> 00:37:55,173 BE REAL WITH YOUR MAMA. 1701 00:37:55,173 --> 00:37:56,007 DON'T BE FAKE ABOUT THIS 1702 00:37:56,007 --> 00:37:56,775 [bleep]. 1703 00:37:56,775 --> 00:37:57,543 DON'T GO TO JAIL TONIGHT, 1704 00:37:57,543 --> 00:37:58,209 BABY. 1705 00:37:58,209 --> 00:37:58,910 DON'T DO IT. 1706 00:37:58,910 --> 00:37:59,945 I KNOW YOU DON'T WANT TO SEE 1707 00:37:59,945 --> 00:38:01,112 THEM BARS. 1708 00:38:01,112 --> 00:38:02,414 GOD BLESS SHE WENT THE LONG 1709 00:38:02,414 --> 00:38:03,181 WAY. 1710 00:38:03,181 --> 00:38:04,215 AIN'T ONE OF THEM [bleep] DID 1711 00:38:04,215 --> 00:38:04,916 YOU LIKE ME. 1712 00:38:04,916 --> 00:38:11,089 SHUT UP! 1713 00:38:11,089 --> 00:38:12,358 [all shouting indistinctly] 1714 00:38:12,358 --> 00:38:13,592 AND SHE HIT MY MAMA, [bleep]. 1715 00:38:13,592 --> 00:38:14,960 IT'S OVER WITH. WATCH OUT. 1716 00:38:14,960 --> 00:38:16,395 GET IN THE CAR. 1717 00:38:16,395 --> 00:38:17,929 I'M NOT LEAVING THIS HOUSE 1718 00:38:17,929 --> 00:38:20,366 TILL I GET MY RING. 1719 00:38:25,371 --> 00:38:27,673 [siren wailing] 1720 00:38:27,673 --> 00:38:29,441 [owl hooting] 1721 00:38:29,441 --> 00:38:31,710 Y'ALL SEE HOW SHE DOIN'? 1722 00:38:31,710 --> 00:38:33,512 YO, MA. 1723 00:38:33,512 --> 00:38:35,280 ERICA REALLY, BASICALLY, WANT ME 1724 00:38:35,280 --> 00:38:36,415 TO CHOOSE BETWEEN HER AND MY 1725 00:38:36,415 --> 00:38:37,148 MAMA. 1726 00:38:37,148 --> 00:38:38,384 LIKE, I AIN'T WITH ALL THAT. 1727 00:38:38,384 --> 00:38:39,117 YOU KNOW WHAT I'M SAYING? 1728 00:38:39,117 --> 00:38:39,818 I LOVE MY MAMA FOR BEING MY 1729 00:38:39,818 --> 00:38:40,552 MAMA. 1730 00:38:40,552 --> 00:38:41,820 I LOVE MY GIRL FOR BEING MY 1731 00:38:41,820 --> 00:38:42,488 GIRL. 1732 00:38:42,488 --> 00:38:43,955 I'M TIRED OF BEING IN THIS B.S. 1733 00:38:43,955 --> 00:38:45,724 SHE BETTER GIVE MY RING BACK. 1734 00:38:45,724 --> 00:38:47,393 YOU GONNA BE BROKE AGAIN. 1735 00:38:47,393 --> 00:38:48,860 BELIEVE THAT. 1736 00:38:48,860 --> 00:38:49,761 LET'S GET IN YOUR MAMA'S CAR, 1737 00:38:49,761 --> 00:38:50,429 MAN. 1738 00:38:50,429 --> 00:38:51,229 I AIN'T DOING [bleep]. 1739 00:38:51,229 --> 00:38:52,531 Y'ALL DON'T GIVE ME NO ORDERS-- 1740 00:38:52,531 --> 00:38:53,264 BACK UP. 1741 00:38:53,264 --> 00:38:54,232 BACK. BACK. 1742 00:38:54,232 --> 00:38:55,233 AND SHE HIT MY MAMA. 1743 00:38:55,233 --> 00:38:56,502 IT'S OVER WITH. WATCH OUT. 1744 00:38:56,502 --> 00:38:58,203 MAMA, GET IN THE CAR. 1745 00:38:58,203 --> 00:38:58,970 GET IN THE CAR. 1746 00:38:58,970 --> 00:38:59,971 WE LOVE EACH OTHER. 1747 00:38:59,971 --> 00:39:00,972 YOU FEEL ME? 1748 00:39:00,972 --> 00:39:02,007 THAT'S HOW WE DO. 1749 00:39:02,007 --> 00:39:03,409 BUT THEN SHE SWITCHED SIDES. 1750 00:39:03,409 --> 00:39:04,676 YOU FEEL ME? 1751 00:39:04,676 --> 00:39:06,177 LET HER [bleep] RIDE. 1752 00:39:06,177 --> 00:39:06,945 SCRAPPY, I'M NOT GIVING 1753 00:39:06,945 --> 00:39:07,813 THE RING BACK. 1754 00:39:07,813 --> 00:39:09,214 WE GO THROUGH THIS ALL THE TIME, 1755 00:39:09,214 --> 00:39:11,182 AND YOU REMAIN HERE. 1756 00:39:11,182 --> 00:39:12,250 BUT IT'S TIME HE STICK UP FOR 1757 00:39:12,250 --> 00:39:16,254 ME, HIS FIANCEE, NOT HIS MAMA. 1758 00:39:16,254 --> 00:39:17,322 [loud thump] 1759 00:39:17,322 --> 00:39:18,424 AIN'T NOTHING [bleep] UP ON YOUR 1760 00:39:18,424 --> 00:39:19,257 LITTLE BENZ. 1761 00:39:19,257 --> 00:39:20,225 THIS BITCH IS [bleep] 1762 00:39:20,225 --> 00:39:21,760 DISRESPECTFUL. 1763 00:39:21,760 --> 00:39:22,961 YOU FEEL ME? 1764 00:39:22,961 --> 00:39:25,764 I WANT HER TO FLY OUT OF MY 1765 00:39:25,764 --> 00:39:26,832 PALACE. 1766 00:39:26,832 --> 00:39:27,933 GET OUT. 1767 00:39:27,933 --> 00:39:30,436 GUARDS, GUARDS, OFF WITH THAT 1768 00:39:30,436 --> 00:39:31,703 BITCH HEAD. 1769 00:39:31,703 --> 00:39:33,238 I'M NOT LEAVING THIS HOUSE 1770 00:39:33,238 --> 00:39:34,773 TILL I GET MY RING. 1771 00:39:34,773 --> 00:39:35,641 WELL, I CAN'T LEAVE, 'CAUSE 1772 00:39:35,641 --> 00:39:36,775 SHE CALLED THE POLICE ON MY SON, 1773 00:39:36,775 --> 00:39:37,476 THEN WE GONNA BE-- 1774 00:39:37,476 --> 00:39:39,110 I'MA BE IN JAIL SITTING AND 1775 00:39:39,110 --> 00:39:40,446 WAITING TILL I GET MY RING. 1776 00:39:40,446 --> 00:39:41,713 SO I GUESS WE'LL ALL CAMP OUT 1777 00:39:41,713 --> 00:39:42,848 IN THIS MOTHER[bleep]. 1778 00:39:42,848 --> 00:39:44,450 GIVE ME MY RING. 1779 00:39:44,450 --> 00:39:45,484 DON'T PULL OUT LIKE YOU A BIG 1780 00:39:45,484 --> 00:39:46,485 BALLER. 1781 00:39:46,485 --> 00:39:47,553 GIVE ME MY RING, AND THEN BE 1782 00:39:47,553 --> 00:39:48,454 A BIG BALLER. 1783 00:39:48,454 --> 00:39:49,254 I DONE DID EVERYTHING I COULD 1784 00:39:49,254 --> 00:39:49,921 DO. 1785 00:39:49,921 --> 00:39:51,457 I DONE EXHAUSTED ALL MEASURES. 1786 00:39:51,457 --> 00:39:52,758 IF YOU WANT TO RUN OFF WITH IT, 1787 00:39:52,758 --> 00:39:54,092 AND YOU DON'T WANT TO DEAL WITH 1788 00:39:54,092 --> 00:39:55,360 THE STUFF THAT I GOT COMING IN 1789 00:39:55,360 --> 00:39:56,662 MY LIFE THAT YOU KNEW WAS IN 1790 00:39:56,662 --> 00:39:57,929 THERE AT FIRST, THIS WHOLE 1791 00:39:57,929 --> 00:39:59,064 ENGAGEMENT AND MARRIAGE THING 1792 00:39:59,064 --> 00:39:59,931 IS DONE WITH. 1793 00:39:59,931 --> 00:40:00,932 I'M FOOLIN' WITH IT. 1794 00:40:00,932 --> 00:40:01,733 YOU FEEL ME? 1795 00:40:01,733 --> 00:40:03,735 BETTER BRING THAT RING BACK. 1796 00:40:09,541 --> 00:40:10,341 ON THE NEXT LOVE and HIP-HOP: 1797 00:40:10,341 --> 00:40:11,176 ATLANTA... 1798 00:40:11,176 --> 00:40:12,343 YOU SUPPOSED TO HAVE MY BACK, 1799 00:40:12,343 --> 00:40:13,378 AND I DON'T FEEL LIKE YOU DID AT 1800 00:40:13,378 --> 00:40:14,112 ALL. 1801 00:40:14,112 --> 00:40:15,313 SHE'S A GROWN PERSON AND NOT 1802 00:40:15,313 --> 00:40:16,414 GONNA LET NOBODY JUST TELL HER 1803 00:40:16,414 --> 00:40:17,115 WHAT TO DO. 1804 00:40:17,115 --> 00:40:18,584 WITH THAT BEING SAID, THEN, 1805 00:40:18,584 --> 00:40:20,185 I WANT TO PUMP THE BRAKES. 1806 00:40:20,185 --> 00:40:21,787 WOW. 1807 00:40:21,787 --> 00:40:22,554 MAN, I GOT TO TELL YOU 1808 00:40:22,554 --> 00:40:24,656 ABOUT [bleep]-ASS KARLIE. 1809 00:40:24,656 --> 00:40:26,391 SHE GOES, "OH, YOU KNOW, 1810 00:40:26,391 --> 00:40:28,460 BENZINO, HE SAY HE HAD SEX WITH 1811 00:40:28,460 --> 00:40:29,294 YOU." 1812 00:40:29,294 --> 00:40:30,095 HE SAID HE HAD SEX WITH YOU? 1813 00:40:30,095 --> 00:40:30,962 YES. 1814 00:40:30,962 --> 00:40:31,630 I DIDN'T [bleep] HER. 1815 00:40:31,630 --> 00:40:32,397 I DIDN'T TRY TO [bleep] HER. 1816 00:40:32,397 --> 00:40:33,064 THAT'S IT. 1817 00:40:33,064 --> 00:40:33,832 I DON'T WANT TO TALK ABOUT IT 1818 00:40:33,832 --> 00:40:34,500 NO MORE. 1819 00:40:34,500 --> 00:40:35,200 WE DON'T DO THAT [bleep]. 1820 00:40:35,200 --> 00:40:35,867 REALLY? 1821 00:40:35,867 --> 00:40:36,702 SO THEN WE AIN'T BROTHERS NO 1822 00:40:36,702 --> 00:40:37,368 MORE THEN, I GUESS. 1823 00:40:37,368 --> 00:40:38,036 I'M COOL WITH THAT. 1824 00:40:38,036 --> 00:40:38,904 THEN THAT'S WHAT IT IS, THEN. 1825 00:40:38,904 --> 00:40:40,506 I HAVE A NEW FRIEND. 1826 00:40:40,506 --> 00:40:41,439 IT'S NOT NEW. 1827 00:40:41,439 --> 00:40:43,241 IT'S ACTUALLY AN OLD FRIEND. 1828 00:40:43,241 --> 00:40:44,810 STEVIE'S OUTSIDE, SHOOTIN'! 1829 00:40:44,810 --> 00:40:46,277 HURTING RASHEEDA, THAT CAN'T 1830 00:40:46,277 --> 00:40:47,045 HAPPEN. 1831 00:40:47,045 --> 00:40:47,946 I'MA THROW WHATEVER I WANT TO 1832 00:40:47,946 --> 00:40:48,914 THROW. 1833 00:40:48,914 --> 00:40:50,749 [bleep] YOUR WIFE. 1834 00:40:50,749 --> 00:40:52,183 IT'S NOTHING TO SAY. 1835 00:40:52,183 --> 00:40:53,351 I GOT TO DO BUSINESS WITH 1836 00:40:53,351 --> 00:40:54,185 YOU, AND I GOT TO SEE THIS 1837 00:40:54,185 --> 00:40:54,853 [bleep]. 1838 00:40:54,853 --> 00:40:55,887 WHAT I DO ON MY OWN TIME IS 1839 00:40:55,887 --> 00:40:57,288 WHAT I DO ON MY OWN TIME. 1840 00:40:57,288 --> 00:40:58,356 WHAT I DO WITH MY MONEY IS 1841 00:40:58,356 --> 00:40:59,725 WHAT I DO WITH MY MONEY. 1842 00:40:59,725 --> 00:41:00,792 DO YOU THINK I WANT TO BE A BABY 1843 00:41:00,792 --> 00:41:01,660 MAMA? 1844 00:41:01,660 --> 00:41:02,894 I DIDN'T CHOOSE THIS [bleep]. 1845 00:41:02,894 --> 00:41:04,663 YOU CHOSE IT FOR ME, AND IN HOW 1846 00:41:04,663 --> 00:41:05,664 YOU LIVE YOUR LIFE AFFECTS ME, 1847 00:41:05,664 --> 00:41:07,666 AND YOU DON'T EVEN KNOW IT. 1848 00:41:22,748 --> 00:41:24,015 OH, MY GOODNESS. 1849 00:41:24,015 --> 00:41:24,816 [dog growling] 1850 00:41:24,816 --> 00:41:26,585 SO YOU GONNA TAKE UP FOR A PIECE 1851 00:41:26,585 --> 00:41:28,019 OF BUTT TOO, RIGHT, LIKE YOUR 1852 00:41:28,019 --> 00:41:29,588 BIG BROTHER. 1853 00:41:29,588 --> 00:41:30,722 REALLY? 1854 00:41:30,722 --> 00:41:32,558 OH, IT'S LIKE THAT, 1855 00:41:32,558 --> 00:41:33,792 AND I DON'T COUNT? 1856 00:41:33,792 --> 00:41:34,660 [dog growling] 1857 00:41:34,660 --> 00:41:35,927 REALLY? 1858 00:41:35,927 --> 00:41:37,796 [toy chirping] 1859 00:41:37,796 --> 00:41:38,964 YOU GONNA ALWAYS STAY SAFE 1860 00:41:38,964 --> 00:41:40,298 IF YOU LISTEN TO ME. 1861 00:41:40,298 --> 00:41:42,734 MAMA'S BABY BOY. 1862 00:41:42,734 --> 00:41:44,435 YOU PROBABLY ARE THE ONLY BOY 1863 00:41:44,435 --> 00:41:45,270 IN THE FAMILY THAT WILL LISTEN 1864 00:41:45,270 --> 00:41:45,971 TO ME. 1865 00:41:45,971 --> 00:41:49,608 WOW, AIN'T THAT A REVELATION. 1866 00:41:49,608 --> 00:41:51,610 THANK YOU.